X
- 2022
- TV-MA
- AMC
- 2022
- TV-MA
- AMC
- 2022
- TV-MA
- AMC
- 2022
- TV-MA
- AMC
Interview With the Vampire
Season 1 Premiere: Oct 2, 2022
5.6
Where to Watch
Where to Watch
Top Cast
Metascore
Universal Acclaim
Based on 39 Critic Reviews
82
87% Positive
34 Reviews
34 Reviews
13% Mixed
5 Reviews
5 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Universal Acclaim
Based on 39 Critic Reviews
82
87% Positive
34 Reviews
34 Reviews
13% Mixed
5 Reviews
5 Reviews
0% Negative
0 Reviews
0 Reviews
“Interview with the Vampire” might be one of the best TV shows of the decade. .... The show understands how to build emotional stakes that make all this timeline jumping so gripping. Other small nuances stand out, like the way a couple can fight and then somehow also bicker within said fight, like a nesting doll of anger and frustration.
It embraces both the intellectual and the carnal in ways that aren’t often seen on TV and were arguably even lacking from Jordan’s version.
User Score
Mixed or Average
Based on 126 User Ratings
5.6
50% Positive
63 Ratings
63 Ratings
10% Mixed
12 Ratings
12 Ratings
40% Negative
51 Ratings
51 Ratings
User Score
Mixed or Average
Based on 126 User Ratings
5.6
50% Positive
63 Ratings
63 Ratings
10% Mixed
12 Ratings
12 Ratings
40% Negative
51 Ratings
51 Ratings
Among my favorite TV shows of the year so far. ... AMC’s Interview With the Vampire is lush and operatic. It is gross and disturbing, opening the dam for the sanguine river of blood to flow the way that a show like this should: so that it is as gorgeous as it is upsetting. There are provocative ideas about race and power dynamics filtered through the identity politics of bloodsuckers that, remarkably, work.
This is a show that knows what viewers want and gives it to them. “Interview” is not precious about its subject matter. ... Through the first five (of eight) episodes, it’s got all the makings of a deserving cult hit.
Interview With The Vampire is still a bit melodramatic in its manner and baroque in its language, despite the time shift from the novels and film. But it reestablishes its story so well that we can see it continuing for a number of seasons.
The evolution mostly works. Interview blends swoony Southern Gothic with cadaverous relationship farce, though it struggles when it shifts its gaze from the intriguing main characters.
The show’s first few episodes have energy and a sense of humor, which can be rococo. ... That momentum fades quickly, however. (Five of seven episodes were available for review.) In later episodes, sex and bloodsucking take a back seat to talk. ... The problem with the series, as it goes along, is that it increasingly makes you think about checking your email.
Amazing. You have to watch it twice to really take it in and appreciate the detail. There is a reason for every action, every line, and every scene. The sets, story, costumes and character development are all wonderful. The series's greatest strength is its ability to remain fairly true to it's source material while still taking refreshing creative liberties that will feel nostalgic yet unique in its approach. I tend to be a little more on the conservative side, but still found this show to be one of the best tv series I've seen in the last few years. It's inclusive without being "woke". The inclusivity is addressed so well that the series manages to successfully avoid pushing political agendas onto viewers while still addressing social topics of race, sexuality, humanity, and abuse. The characters are all complex and well developed. It does have a certain level of silliness, but still is a poignant and elegant vampire series to be taken seriously. There is an appropriate balance of horror, love, intellect, and mystery written into the story. A wonderful series I hope stays around for years to come.
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Look, it's a good vampire show. Louis is excellent, some of the changes are fairly welcome, the dialogue is pretty on-point, and it's incredibly high budget.
So why the 6/10? Well, I'll start by saying I don't care that Louis is black. It works. I mark the show down because of a few things, and all of them at their core have to do with the fact that I don't feel as though the creators really GOT what made the gothic charm of the original book so powerful.
The pace is all over the place. They spend too long in America, but it doesn't linger scene-to-scene. And Vampire Chronicles should really linger, with haunting quiet moments of reflection, slow scenic shots, and moments where they are showing - rather than telling - every emotion on the face of the characters. That's the one area the previous movie did well, which this show does so poorly. There's no pause for reflection - just a string of stitched-together scenes with all quiet cut out, like a mid 2000s YouTube video. But Interview should be quiet in between the storms, to reflect the life of the immortal beings it focusses on.
My second major complaint is that they sexualise the characters. An absolutely marvellous thing about the books (and movie) was that it is a romance without it being about sex, gender, age ... anything. It's simply eternal love. The Anne Rice vampires were unable to have sex, and that really worked. Companions were companions, and it meant more than human love. I really don't care that they **** it up by a factor of six. My complaint is that they changed the source material to move away from something which made Chronicles vampires so incredibly original and interesting.
My last major complaint has to do with the casting of Lestat and Claudia. Lestat is supposed to be incredibly charming, but instead he comes off as poncy, smug, and unlikeable at times. The actor does incredibly well during scenes of anger or higher emotion, but scene to scene he doesn't work as Lestat. Meanwhile, this Claudia's performance pales in comparison to Dunst, but that's not my main issue with her. The biggest problem here - and perhaps time will tell it to be the biggest problem with the show - is that they got an 18 year old to play the part of a 14 year old, who was 10 in the movie and 5 in the books. Claudia's entire hook is that she's a child vampire. But she's not even that anymore. Further proof that the writers of this show don't get what made the books great.
I'm excited to see where they take it, but seeing as Lestat is the most important character in the entire series, I'm not holding out a lot of hope due to the casting. They turned the Prince of Darkness into Pouting Prissy Queen (and not the good kind!), and that hurts right in the childhood.
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An interesting original vampire series. Don't expect to find Anne Rice's characters or stories here.
Everyone is re-imagined with different backstories and motivations. Almost every location is different. Time periods, both past and present, are changed.
There are some slow moments, but that's to be expected early in a series.
The casting is silly. Jacob Anderson is a great vampire, but would have made an excellent Lestat. Similarly, Sam Reid feels more like Louis with a nice Brad Pitt vibe. Yet my biggest dislike for the casting is that Eric Bogosian is too old to play Daniel and become a vampire later in the series.
If this wasn't based on a long and very popular series of books, I'd probably have rated it much higher. If you're an Anne Rice fan, like me, you probably will not want to watch this.
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Production Company:
- AMC Studios
- Dwight Street Book Club
- Stillking Films
Initial Release Date: Oct 2, 2022
Number of seasons: 2 Seasons
Rating: TV-MA
Awards
International Online Cinema Awards (INOCA)
• 5 Nominations
TV Scholar Awards
• 3 Nominations
Critics Choice Super Awards
• 3 Nominations