SummaryHanna (Esme Creed-Miles) is forced to use the survivalist skills taught by her father (Joel Kinnaman) after she is separated from him by a group of rogue CIA agents led Marissa Wiegler (Mirelle Enos) in this series adaptation of the 2011 film of the same name from David Farr.
SummaryHanna (Esme Creed-Miles) is forced to use the survivalist skills taught by her father (Joel Kinnaman) after she is separated from him by a group of rogue CIA agents led Marissa Wiegler (Mirelle Enos) in this series adaptation of the 2011 film of the same name from David Farr.
The first episode ends with Hanna forcibly heading out into the wider world, albeit not in the way you might predict. After seeing brief flashes of her in action on her home turf – fast, efficient, crafty – the prospect of Hanna operating in a modern urban environment is tantalising enough to tune in for the full season.
Much like Season 1, the new episodes of “Hanna” open promisingly and close with a bang. As seen in other streaming series, it’s the slack in the middle that frustrates.
The season’s conclusion asks as many questions as it answers, appearing to exist only so that Hanna may sustain itself, offering more henchman bones for Hanna to snap without wondering whether the character should, or even wants to, keep snapping them.