SummaryAn explosive thriller starring Al Pacino and Colin Farrell that for the first time opens the CIA's infamous closed doors and gives an insider's view into the Agency: how trainees are recruited, how they are prepared for the spy game, and what they learn to survive. (Touchstone Pictures)
SummaryAn explosive thriller starring Al Pacino and Colin Farrell that for the first time opens the CIA's infamous closed doors and gives an insider's view into the Agency: how trainees are recruited, how they are prepared for the spy game, and what they learn to survive. (Touchstone Pictures)
Visibly uninspired, Pacino gives a perfunctory performance -- though surely he must have looked over at Farrell and been reminded of himself 30 years ago, all jacked-up and beautiful, like a stallion at the gate.
so many twists that make you confused instead of surprised, one of the twist was stupid and doesn't make sense, on the other hand, the film attract you until the end and Colin Farrell did a great job in this movie.
So much is so good about The Recruit that you'll wish the ending were better. It's like opening the last lid in a Chinese box and having a clown figure pop out on a spring.
There are glimpses of a real actor struggling to get out of Pacino, although they are rare. It’s as if Pacino is dying to act, but he’s either too old or director Roger Donaldson just isn’t allowing him to do it.
Donaldson and his battery of screenwriters aim for nothing more than a coolly efficient thrill machine, but the mechanics break down in the end, foiled by a "whodunit" twist that's telegraphed early in the first reel. Careening forward without any real purpose, the film simply flies off the rails.
Al Pacino is his own venue as yet another flamboyant, self-ironic, self-dramatizing, self-parodying, self-selfing quasi-Mephistopheles. His performance isn't very good, but it's big.
Un peu long, une fin au rebondissement tarabiscoté et un Colin Farrell qui semble pour le moins perdu face à un Al Pacino éclatant et grandiose (comme de coutume). Si on devait donner une définition du charisme en deux mots, ce serait "Al Pacino" et ce serait tout-à-fait normAl.
Néanmoins, le film ne repose pas entièrement sur ses épaules de superstar : Roger Donaldson livre un film consciencieux à la réalisation de bon élève appliqué quoique sans génie... et pour un film d'espions, l'intrigue se laisse suivre sans aucune migraine, preuve d'une ossature assez solide pour réussir à nous induire en erreur ici et là.
La fin est vraiment maladroite, pas en elle-même, mais la façon dont elle est amenée et résolue, ce qui nous laisse à penser ce que l'on pensait depuis le début : la recrue est un petit con. Heureusement qu'Al est là... un génie !
This action film is quite good, a bit slow at certain parts, but it is interesting to find out what's really going on. The ending has a good enough twist.
The Recruit is a classic action thriller in the early 2000s. The film has an excellent acting duet in the title role, you can even say that it attracts viewing. But everything else is done at the average level. As the thriller The Recruit failed, as it does not keep the viewer at the screen at all, the first half of the film is tedious and boring. Even if the film were a pilot of the series, it would seem boring. The second half of the film is already watchable, but she does not have time to reveal the characters. Only the plot begins to unwind, and already the ending. And the most annoying thing is the main plot twist, which almost any viewer understands by the middle of the film. The Recruit is a mediocre film that can only be recommended for viewing by fans of Al Pacino or Farell.
a big cry for help..
The Recruit
Donaldson's spy thriller is a big question to the genre it claims to be. This is a no go from the first frame itself. No matter how alluring and intriguing the concept may sound like, it is completely shallow and empty to the core. It is a tale extracted from a chapter of a textbook, which too was unfortunately mediocre. It has the same old storyline that we have been listening to over the years, even the surprises are so bizarrely installed, that you can see the station far before it arrives. On terms of script, it is a big cry for help. It needed the polishing aplenty and better supervision on both editing and execution. This meaningless chase of cat and mouse, is clearly outdated.
The foggy roads, the shady deals, finite set of characters and involuntary sacrifices, every aspect of the plot shucks away its integrity. It doesn't take itself seriously. What it has got right, is the cast. Pacino is the perfect riddler for the role, his promising commitment itself is convincing enough to be the apt host to take a tour of this world. Farrell, on his parallel role, gets overpowered by Pacino at times and since his role demands such a position, he holds onto that piece of thread till the last frame. The other supporting cast like Moynahan and Macht fails to reap the flag as anticipated.
The dialogues or more accurately, monologues allotted to actors are performed lethally especially by Pacino on latter stages. But this is a drop in the ocean. Even an actor with a caliber like such cannot save this sinking ship that the screenplay is. Donaldson's vision is frankly blurred and undercooked to create the anticipated impact. The Recruit literally recruits you through its concept but this job calls for a labour work and not your promised white collar job.
This movie is just completely stupid, the recruit is just obsessed throughout the whole movie with this girl and making a fool out of himself, I was hoping he would get shot.