SummaryWhen 22-year-old Chris finds himself in debt to a drug lord, he hires a hit man to dispatch his mother, whose $50,000 life insurance policy benefits his sister Dottie. Chris finds Joe Cooper, a creepy, crazy Dallas cop who moonlights as a contract killer. When Chris can't pay Joe upfront, Joe sets his sight on Dottie as collateral for th...
SummaryWhen 22-year-old Chris finds himself in debt to a drug lord, he hires a hit man to dispatch his mother, whose $50,000 life insurance policy benefits his sister Dottie. Chris finds Joe Cooper, a creepy, crazy Dallas cop who moonlights as a contract killer. When Chris can't pay Joe upfront, Joe sets his sight on Dottie as collateral for th...
Credit goes to the actors (especially Gershon) for giving almost as good as they get in seriously demanding roles, and to Friedkin for having what it takes – guts, chops and a refreshing lack of artistic caution – to bring things thundering home.
An unflinchingly ugly -- but downright mesmerizing -- tale that plumbs the depths of human immorality and, along the way, offers a dash of subtle commentary on just how far we, as a 312 million-member nuclear family, might have lost our way.
A comedy as black as Beelzebub's soul. Brutality, sexual violence - not a film for the faint of heart or easily shocked. William Friedkin shows he hasn't mellowed in old age. Matthew McConaughey gives a brilliant performance as a cop who moonlights as a hit man and exploits with glee a family whose stupidity is matched only by their greed. This is Tennessee Williams on steroids.
This is the work of a seasoned, masterful Director leading a cast through a " black as coal" script - and it works perfectly. Matthew McConaughey leads a terrific cast, all of whom commit to everything in the script. Kudos to the entire cast for taking this risk. This is a modern day film noir classic, just be prepared for a film that doesn't flinch.
Friedkin's unflinching trailer-park noir features ugly characters, game performances, degradation and the obscene abuse of a chicken drumstick. Highly recommended, then.
When this sick, ludicrous cocktail of sex, violence and mayhem was first unveiled a year ago at the Toronto International Film Festival, one wag aptly described it as "the ghost of Tennessee Williams meets the spirit of Quentin Tarantino."
Killer Joe is definitely an underrated gem for 2012. given an NC-17 will probably ruin any hopes **** theatrical run but this film is on the fast track to be a cult classic. The direction that William Friedkin drives this film is slow and dirty. The Gallows Humor found in this film is hilarious and the violence is electrifying. Saying Killer Joe is just a regular noir film is a downright insult to the cast and crew.
Wtf? Did anyone notice Matt M. (K.J.)'s badge number was 714. ...the same number that Jack Webb had in Dragnet.... The same number that was written on a quaalude .... WTF ?
As described by many, Killer Joe is a neo-noir set in Texas. For lovers of noir, it is a welcomed occurrence, because the genre is not popular. However, it definitely carries things very far. It breaks censorship's boundaries unimaginable in the 40's and pushes the limit very far even for 2012.
The plot revolves around a family of dim-witted red-necks plotting a murder to collect insurance money. The key word being dim-witted. Chris (played to perfection by Hirsch) is the son, a pathetic looser who sets the plot in motion due to his debt with a drug lord. Despite his many shortcomings, I could not help feeling sorry for Chris, also because of all the beating he takes.
Enter father Ansel and step-mum Sharla (some entrance she makes). They both agree with the plan to kill Chris's mum, a drunkard with an insurance policy and a boyfriend named Rex. The beneficiary of the policy is said to be daughter Dottie. Being the dumbest of the family, she is also the more dangerous, because her actions are completely unpredictable.
Chris hires Killer Joe and from then on the movie takes an even darker turn, as if planning to kill one's mother is not bad enough. Joe decides to keep Dottie as a retainer, since the family cannot pay in advance for his services. This upsets Chris, who is protective towards little sister Dottie, although in a disproportionate way. After mum's been disposed off, huge trouble erupts.
Without giving too much away, I would suggest keeping double indemnity in mind and not only as a reference to one of the best classic noirs ever made. Also, do not forget about Rex, those face remains unseen For what concerns the notorious scene at the end, I never saw a drumstick used like Joe does and I hope never to see it again. As far as disturbing goes, that will be a scene difficult to top. Think about Blue Velvet/Rossellini/Hopper, but sicker.
Contrary to audiences in the US, nobody left the screening room in Brussels. However, considering the level of gore reached by horror movies, I wonder why part of the audience is squeamish only about some scenes but can watch bodies being dismembered without any problem
The biggest surprise of the film was McConaughey playing cool and brutal cop/hired killer Joe. I am so used seeing him playing the bland boyfriend I did not think he could be convincing. I loved the scene of Joe arrival and the watch dog shutting up, after non-stop barking. It just sets the right atmosphere without any word being spoken.
So far I thought of McConaughey as an American Hugh Grant, but I honestly do not think Grant could manage anything of the sort. Hope McConaughey will continue trying interesting roles and drop the "boyfriend" route.
"Killer Joe" tries to be a funny and gritty black comedy, and while the writing can be clever, the supporting cast give such mediocre performances that almost none of the line delivery works. In addition to that, the third act of the film just becomes a tasteless and vile exercise whose sole purpose is to be as gross as possible just for the sake of being gross. Cup that with the half-assed ending, and all you really have in the end is a sleepy Oliver Stone knock-off that fails to be entertainingly any level despite the fact that McConaughey captures his role well.
Killer Joe disappointed me due to a weak story and weaker characters. Matthew McConaughey was decent as usual (I tend to appreciate the characters/acting he brings to a film). However, the frustratingly unlikable supporting cast and overly offensive story elements did not work for me. For those planning on watching this movie, be aware there a moments in the film (at least in the unrated version) that come off as "lets shock the audience by adding something completely pointless and disgusting". I give it a 3 instead of a 0 because Matthew McConaughey, the camera work, the sound, and the editing were not the worst I've seen in a movie (although I'm having trouble remembering a movie I have liked less).