• Record Label: Rhino
  • Release Date: Nov 18, 2016
Metascore
73

Generally favorable reviews - based on 29 Critic Reviews

Critic score distribution:
  1. Positive: 17 out of 29
  2. Negative: 1 out of 29
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  1. Kerrang!
    Nov 2, 2016
    100
    This is Metallica galvanised, refreshed, refocused and rediscovering themselves. Best thing they've done since The Black album? Yep. [5 Nov 2016, p.48]
  2. The Wire
    Dec 21, 2016
    80
    This is the adult Metallica at last, monolithic, grandiose and grizzled. Maturity suits the band, makes them a weightier proposition than the pursuit of former glories ever could. [Dec 2016, p.62]
  3. Nov 22, 2016
    80
    Beginning and ending on a high note, Hardwired miraculously leaves the listener hungry for more, following an all-out binge on some of Metallica’s strongest work since 1991.
  4. Nov 21, 2016
    80
    There’s plenty of returning to old ground, but this is not a derivative record, and neither is it a return to form. It finds Metallica rediscovering what makes them tick.
  5. Nov 21, 2016
    80
    When they lock into a winning riff, as on Confusion and Atlas, Rise!, there are still few better bands around.
  6. Nov 18, 2016
    80
    The subject matter might be bleak, but there’s a lust for life on this album that will leave a smile on the faces of their millions of fans, and even on a few of those grumpy old ones.
  7. Nov 18, 2016
    80
    If the riffs don't always sink in deeply--and if the entire production feels slightly monochromatic--what impresses here is the thought and musicality within the compositions and the performances, elements that have always been at the band's core and shine brightly on Hardwired... To Self-Destruct.
  8. Nov 17, 2016
    80
    Some judicious editing could have made it a classic, but either way this is a triumphant return to form.
  9. 80
    While Hardwired... To Self-Destruct isn’t dissimilar in delivery to their last record, 2008’s ‘Death Magnetic’, Metallica still--in their fifties--remain both vital and innovative.
  10. Nov 17, 2016
    80
    The mostly epic-length tracks--almost entirely written by drummer Lars Ulrich and singer-guitarist James Hetfield--are melodically assured furies of serial riffing and tempo shocks.
  11. Q Magazine
    Nov 15, 2016
    80
    By the time disc one wraps with the anthemic Halo On Fire, Metallica have already produced the excellent album expected of them. [Jan 2017, p.109]
  12. Mojo
    Nov 2, 2016
    80
    Freed from that angst, the group sound more savage, more inspired and, crucially, more fun than they have for a quarter of a century. [Dec 2016, p.88]
  13. Nov 29, 2016
    70
    Hardwired… To Self-Destruct is the best Metallica record in 25 years, but it’s not going to blow minds.
  14. Uncut
    Nov 22, 2016
    70
    Spread over two discs, it can get a little samey, but "Here Comes Revenge" and "Moth Into Flame" have plenty of bounce. [Jan 2017, p.27]
  15. Nov 17, 2016
    70
    There’s no attempt to recapture their classic sound, no blatant radio single, and not even an attempt at performing more than what they’re comfortable with. If you’ve followed Metallica beyond the black album, you’ll find a very good, honest, release in Hardwired… To Self-Destruct.
  16. Nov 17, 2016
    70
    At times the results are exhilarating, as on the superb ‘Moth Into Flame’ and doomy death-march of ‘Confusion’--written from the perspective of a soldier with post-traumatic stress disorder--but there’s a smattering of filler, too. Too many tracks outstay their welcome by a matter of minutes.
  17. Nov 22, 2016
    65
    Its twelve songs–the vast majority of which extend well past the five-minute mark–fall into two categories: galloping nods to Ride the Lightning, of which the first disc is primarily composed, and doomier mid-tempo cuts à la Sabbath, which make up the bulk of the second. The LP’s highlights--“Hardwired,” “Moth Into Flame,” “Atlas, Rise!” all fall into the former camp, front-loading the record with fire. The second disc, by contrast, is a slog through nondescript, uniform chug, devoid of dynamics or instrumental nuance.
User Score
7.8

Generally favorable reviews- based on 399 Ratings

User score distribution:
  1. Negative: 34 out of 399
  1. Nov 18, 2016
    10
    The album is very divergent ,It is like ,they created an album which represents Metallica's 35 years of career in 13 songs(including Lords ofThe album is very divergent ,It is like ,they created an album which represents Metallica's 35 years of career in 13 songs(including Lords of Summer). Thrash metal, heavy metal, and hard rock all combines together in this album and this happened for the first time for Metallica. Anyone can pick up his favorite songs from it. Full Review »
  2. Nov 18, 2016
    0
    There is only a few old metal bands who manage to live up to their own glory. Looking at this album, it is not very hard to understand thatThere is only a few old metal bands who manage to live up to their own glory. Looking at this album, it is not very hard to understand that Metallica is not one of them. Full Review »
  3. Nov 21, 2016
    9
    I think nowadays its in a mode to trash Metallica whatever they do or write. For people who wants the good old Metallica back: It will neverI think nowadays its in a mode to trash Metallica whatever they do or write. For people who wants the good old Metallica back: It will never happen and nor will with your favorite band neither. These people just want MoP, BA, AJFA albums every two year from them.
    HtSD has its ups and downs, it's not their best album, but because of it's diversity, tempo, lyrics its much more what I expected from them. If you listen to all the songs from the first one to the last one, and when you reach the last one of them (Spit out the Bones), I just don’t understand how can somebody who listens to metal give to this album 0-4 points… But again, we are not the same.
    Full Review »