- Record Label: Sony
- Release Date: Oct 23, 2007
- Critic score
- Publication
- By date
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No World For Tomorrow is Coheed doing what they do best; writing an excellent album, where the songs combine for a bigger effect together than they do individually.
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Q MagazineThe New Yorkers' fourth album is grounded in frontman Claudio Sanchez's personal life, making it accessible and hugely appealing. [Nov 2007, p.137]
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Coheed and Cambria's first three outings were smart, adventurous affairs that didn't eschew accessibility and No World for Tomorrow proves no exception.
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MojoThere's even hit-single potential--'Feathers' is unabashed radio-rock--that could make this weird bunch into the biggest cult band in the world. [Dec 2007, p.109]
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Based on the music alone, No World For Tomorrow, like all their work, is a phenomenal accomplishment and remarkable introduction of Progressive Rock into the mainstream cannon.
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Entertainment WeeklyC&C infuse their expansive music with enough grit and melody that you don't give a hoot what, say, 'The Hound (Of Blood And Rank)' is about. [26 Oct 2007, p.67]
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Coheed have found their sweet spot.
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Coheed and Cambria are almost too smart and ambitious for their own good--not enough, however, to cancel out the instrumental highs and car-radio-chorus charge of the best songs on their fourth album.
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the album is simple ear candy for those who haven't studied the band's previous releases, and sweet resolution for those who can spot the references to older songs (specifically 'Blood Red Summer') and former riffs ('The Crowing').
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Tomorrow isn't a shoddy version of what Coheed has always done, but at this point, it could have been far more inspired.
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Alternative PressCoheed's fourth album simply doesn't deliver on the suspense that's been loaded into it. [Nov 2007, p.155]
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Coheed have picked up more prog nuances so it fits that this, the last in the sequence, is their most ambitious yet, best embodied in the eight-minute 'The End Complete.'
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The disc sticks reliably to the formula that found them their rotation on radio, trading fluid and flashy runs from guitarist Travis Stever with Claudio Sanchez’s contagious storyteller swoon.
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The aggression is still there, now tempered with lighter numbers like Feathers, but the whole thing still reeks of comic nerd sci-fi awesomeness.
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SpinNo World For Tomorrow should ensure that 21-year-old dudes in women's jeans will gooble up reissues of "2112" for years to come. [Nov 2007, p.116]
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Overall, the songs are weaker than before--too many feel cheesy, bland, half-baked.
Awards & Rankings
User score distribution:
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Positive: 86 out of 125
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Mixed: 6 out of 125
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Negative: 33 out of 125
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Nov 17, 2011
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Apr 11, 2011
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Oct 5, 2018