Metascore
70

Generally favorable reviews - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 14
  2. Negative: 0 out of 14
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  1. May 29, 2018
    90
    This isn’t merely a remarkable return: it’s one most one of the most assured--and assuredly rewarding--albums of the year thus far.
  2. Uncut
    May 7, 2018
    80
    Any Day is their sharpest set of songs to date, but Sam Prekop's languid melodies still prove defiantly elusive. [Jun 2018, p.35]
  3. 80
    The consistent rapport between Prekop, Prewitt and McEntire is more than enough to propel the Sea and Cake steady on their course.
  4. May 14, 2018
    75
    With Sam Prekop on vocals, though, a Sea and Cake album is genetically incapable of sounding like anything other than a Sea and Cake album.
  5. May 8, 2018
    72
    It’s the pleasant sameness of it that makes me both excited to hear a new Sea & Cake release and a little disappointed that, considering the work that its membership does outside this fold, there’s not more there.
  6. Jul 18, 2018
    70
    If Any Day has that low-stakes feel, their flow just as effortless, it's because they're still keen to deliver a sort of refined muzak on steroids that never ages.
  7. 70
    So, reliable business as usual then for The Sea And Cake but with enough under-familiarity to neuter any contempt. Long-time loyalists will have few complaints.
  8. May 15, 2018
    70
    The Sea and Cake continue to be champions for the weary and resolute alike, being both the soothing reassurance of beauty and the wistful resolve that the most dogged absolute is the very impermanence of everything. It’s a deceptively tricky feat and one that they continue to thrive on.
  9. May 10, 2018
    70
    There's nothing fashionable about the Sea and Cake's music, and therein lies much of their charm.
  10. May 7, 2018
    70
    To complement lyrics that go for the melancholic jugular, the trio of Sam Prekop, Archer Prewitt, and John McEntire stuff the record with pulsing drums, a tasteful mixture of synths and organs and subdued, yet still chugging guitars. [Mar - May 2018, p.59]

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