Metascore
83

Universal acclaim - based on 19 Critic Reviews

Critic score distribution:
  1. Positive: 17 out of 19
  2. Negative: 0 out of 19
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  1. Apr 3, 2015
    90
    A headphone trip for the ages, Primrose Green is a diaphanous tapestry that envelopes our collective musical history.
  2. Uncut
    Mar 17, 2015
    90
    Primrose Green is disorientating, casting new light on modes you thought you knew well. [Apr 2015, p.65]
  3. Mar 18, 2015
    89
    A stellar supporting cast matching his vision, Walker produces one of the year's most exciting releases.
  4. Mar 31, 2015
    84
    Ryley Walker’s talents are enormous. The praise for his second full-length ought to be the same.
  5. Mar 24, 2015
    83
    For Walker, it’s about breathing life back into ’60s folk until it bursts with springtime charm, and Primrose Green is 2015’s ultimate encompassment of that sound.
  6. Apr 3, 2015
    80
    Working with a cast of Chicago jazz, improv and experimental luminaries and newcomers, Walker casts a most enchanting spell on Primrose Green, and while it may reflect his influences more than spell out his vision, the love he bears for those influences comes through in every plucked and sung note.
  7. Mar 30, 2015
    80
    With its ready absorption of, homage to, and engagement with the past, Walker's skills as a guitarist and arranger make Primrose Green as musically compelling as it is willfully indulgent.
  8. Mar 30, 2015
    80
    With Primrose Green, Walker has created a mystical record, balancing idyllic sonics with moving sensibility.
  9. Mar 24, 2015
    80
    Primrose Green may not be the most original of statements, but it definitely amounts to more than the sum of its parts and there is the lingering impression that Walker is only just getting started.
  10. 80
    Had Primrose Green been recorded in the era it's influenced by, it could well be among the records Ryley Walker would now be drawing inspiration from; high praise indeed.
  11. Mojo
    Mar 19, 2015
    80
    A personal statement that is simply too accomplished to fall into pastiche. [Apr 2015, p.96]
  12. Q Magazine
    Mar 17, 2015
    80
    Combining jazzy looseness, rustic picking and an undertow of drugular mind expansion, this is one head cocktail that leaves no pain after it hits. [Apr 2015, p.113]
  13. 80
    He has an uncanny feel for the triangulation of folk, jazz and blues that came from the fleet fingers of Bert Jansch and John Fahey back in the ’60s.
  14. Mar 17, 2015
    80
    Derivative as it is, there’s beauty here, and something admirable in Walker’s insistence on so closely cleaving to his chosen path.
  15. Under The Radar
    Apr 17, 2015
    75
    While the depth of this 20-something often-improvised lyrics doesn't yet match the force of his baritone growls and purrs, the record gains emotional resonance from Walker's uncanny knack for summoning the specters of tragic folk figures. [Apr - May 2015, p.88]
  16. The Wire
    Mar 25, 2015
    70
    With Primrose Green, Walker is in a larger collective setting and it works in his favour. A mixed bag of Chicago musicians concoct a pleasant, hazy feel to the proceedings. [Mar 2015, p.54]
  17. Mar 30, 2015
    62
    While Primrose Green is a great statement for a '70s freak-folk cosplayer, I just hope it’s not a career-defining one for Walker.
  18. Jun 18, 2015
    60
    Instrumentally, Primrose Green is an engaging listen, but Walker the singer only comes through a few times.
  19. Apr 3, 2015
    60
    Like its precursor, this sophomore release is deeply rooted in the musical traditions of the late 60s, but while it would be hard to accuse him of pushing too many boundaries, the influences are both tastefully chosen and utilised with consummate skill.

Awards & Rankings

User Score
8.4

Universal acclaim- based on 16 Ratings

User score distribution:
  1. Positive: 15 out of 16
  2. Negative: 0 out of 16
  1. Apr 18, 2015
    9
    A wonderful, well-executed, mellifluous blend of folky jazz-rock, with deft and virtuoso guitar (and other instruments) play throughout, and aA wonderful, well-executed, mellifluous blend of folky jazz-rock, with deft and virtuoso guitar (and other instruments) play throughout, and a voice that bypasses the ears and heads straight for the soul.

    Scintillating echoes of Tim Buckley, Jon Martyn and Nick Drake; a potent combination indeed. And to say Walker's an equal to each and any of them is no overstatement. This man has got some serious talent, and combined with the lo-fi, pin-sharp production, it an album that grabs you deep straightaway. You’ll stick it on and be halfway through the third replay before you realise two hours have whirled by in a dreamy, 60s haze

    Really glorious stuff.

    9/10
    Full Review »
  2. May 10, 2015
    8
    From the album's cover homage to Astral Weeks, to the Nick Drake style delivery and echoes of Buckley and John Martyn, this is throwback;From the album's cover homage to Astral Weeks, to the Nick Drake style delivery and echoes of Buckley and John Martyn, this is throwback; derivation; and a thrilling contemporary update on the genre. I keep coming back to its live-like organic feel. Full Review »
  3. May 3, 2015
    7
    Though Primrose Green is more successful in its production, aesthetic, and instrumentation than it is in its songwriting, the record provesThough Primrose Green is more successful in its production, aesthetic, and instrumentation than it is in its songwriting, the record proves itself a must listen for 2015 and cements Ryley Walker as an artist we should all keep our eye on. Full Review »