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Jan 24, 2024There’s no question that Herring still writes songs capable of evoking strong emotions, but this time around they can occasionally feel too twinkly and repetitive. What’s missing is some risk-taking; unpredictable production flourishes that could better reflect the overall mood of the album and all the ambiguities that accompany a major life change.
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MojoJan 22, 2024New ground is not broken, but happily, neither are they. [Jan 2024, p.86]
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Jan 22, 2024As on past albums like 2017’s The Far Field, the quieter passages here are projected with too much force to either serve as a contrast to the songs’ more bombastic sections or fully convey the import of the lyrics. This grows especially tiring on tracks like “The Fight” and “Corner of My Eye,” which are synth-pop equivalents of stadium power ballads. Were the music itself able to match the downbeat undertones of Herring’s words, it might pack a bigger punch.