- Record Label: Atlantic
- Release Date: Oct 20, 2009
- Critic score
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- By date
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Rather than adapting Kerouac's writing into the usual frantic jazz inflections, Farrar lifts lines into rootsy blues and Americana shades, surfacing the author's uniquely skewed and stunning phrases.
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If anything, Gibbard sounds far too earthbound. Thematically, though, this combination makes a weird kind of sense.
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One Fast Move or I'm Gone might have evoked Jack Kerouac more vividly with other vocalists besides Farrar, but as a composer and producer, he's done right by his lyricist, and the results are modest but rewarding.
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A dark lark, but worth a listen.
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Under The RadarThis could of been a disaster, but both artists smartly stayed within their musical comfort zones, and their voicesa and styles blend remarkably well. [Fall 2009, p.58]
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The lyrics, built from Kerouac's prose, often feel wordy. But the singers channel Kerouac's angst, and when they combine their magnificent voices, as on 'Sea Engines,' the effect is striking: ugliness spun magically into beauty.
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Taken in isolation and away from their intended meaning, most every song on the album sounds like a Grade A piece of Americana, but it’s almost impossible to distance these songs from their whole, and it would be disrespectful to both Farrar and Gibbard to do so, which in turns makes the album more of a nice attempt to pay respect to Kerouac from two fan boys than a legitimate tribute to one of America’s most famous and influential writers.
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For an album about a doc about a book about going into the wilds of California, One Fast Move sounds awfully sleepy.