• Record Label: Counter
  • Release Date: Mar 15, 2011
Metascore
68

Generally favorable reviews - based on 13 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 13
  2. Negative: 0 out of 13
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  1. Mar 14, 2011
    90
    Full-tilt, power-pop catharsis and ecstatic blaze-of-glory euphoria – catchier than H1N1.
  2. Mar 25, 2011
    80
    The group's stab at human emotion is a smashing success because it's coming from a real place: the death of former band member Beau Velasco.
  3. Mar 17, 2011
    80
    Regrets take on new meaning knowing the background, but they're also just plain fun, and no amount of misfortune can change that.
  4. 80
    This is the sort of chorus-heavy stoopid punk-rock record that makes you want to punch children in their silly faces from the sheer joy of being alive.
  5. Apr 1, 2011
    70
    Their music is fun and exciting, if not earth-shattering or deep.
  6. Mar 15, 2011
    70
    Michel Poiccard is an inconsistent, raucous, sleazy mess. But that's what The Death Set do best--and you sense that Beau Velasco would approve.
  7. Mar 15, 2011
    70
    In a way, the album seems like a bit of a farewell to an old friend, with lots of wistful moments to be found under the layers of synths and fuzz all throughout the album, really nailing home the Death Set's method of mixing the old with the new to create something that strides boldly forward as it fondly remembers where it came from.
  8. Mar 17, 2011
    63
    So the Death Set essay a Jekyll/Hyde routine of dramatic contrasts, pitting lightning-fried guitars, unpredictable computerized effects, and goofy bullshit against mellow hooks and relative subtlety.
  9. Apr 5, 2011
    61
    Even when not stated explicitly, most of Michel Poiccard feels like a love letter to Velasco from remaining founder Johnny Siera; there's a sadness and longing tucked into even songs that aren't ostensibly about Velasco.
  10. Q Magazine
    Apr 6, 2011
    60
    Recorded as a tribute to former singer Beau Velasco, who died of a drugs overdose in September 2009, it's clearly a form of catharsis. Mercifully their sense of humour remains intact. [Apr 2011, p.101]
  11. Uncut
    Mar 15, 2011
    60
    There's no grief-striken balladry, though: Michel Poiccard namely sticks to the helium noise vandalism template set by 2008 debut Worldwide, with the addition of some surprisingly winsome pop excursions in a similar vein to The Drums. [Mar 2011, p.86]
  12. Mar 14, 2011
    60
    By virtue of the last track sitting in such stark, depressive contrast to the rest, Spiera probably accidentally, but definitely effectively, makes you want to skip back to the start - an analogy for the underlying feelings he gives away over Beau Velasco.
  13. Apr 20, 2011
    40
    There is a lot of flash-in-the-pan potential in the band, but I'm sure there will be some Williamsburg/Soho hipsters that will hang on long enough to give The Death Set a second or third 15 minutes.

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