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Dangerfield’s solo foray is a (for the most part) sparse production (it was recorded in just five days), and that extra room is a little jarring at first, but fans of the band, as well as the elusive quarry that is love, will no doubt walk away from Fly Yellow Moon a step or two lighter.
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This album doesn’t bristle with the sonic daring of Dangerfield’s usual work; instead, it offers love songs, largely unadorned with stylistic quirks or brash arrangements, a document of a life pulling into focus.
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He is unrepentantly romantic throughout the album, though never quite twee or overbearing, which is quite a balancing act.