Metascore
72

Generally favorable reviews - based on 13 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 13
  2. Negative: 0 out of 13
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  1. Dec 2, 2016
    80
    The key, though, is that each track will slot effortlessly into their famously hypnotic live shows.
  2. 80
    A lot of Every Now And Then was recorded in the rural French studio they’ve compared to the doomed country retreat featured in cult comedy Withnail & I. And that fits, really, as the place this album had to have been made: somewhere haphazard and idiosyncratic, but weirdly brilliant.
  3. Oct 13, 2016
    80
    Every Now & Then is the best kind of second album, one that improves on the first one without throwing away any of the elements that made it good.
  4. Oct 13, 2016
    80
    They still sound like they’re on a process of self-discovery, just a couple of steps away from striking gold.
  5. 75
    While it does skew a bit more electronic, Every Now & Then maintains the psychedelic spontaneity of the group’s first record and adds in even more refined percussion.
  6. Oct 17, 2016
    70
    It may be lacking in genuine standout moments--the infectious choruses from tracks like Come Save Me, Man I Need and Uncertainty are noticeably absent--but as an overall listening experience, it is a fascinating journey.
  7. Oct 20, 2016
    69
    Every Now & Then is often vivid and enjoyable, but after a few listens, you may find yourself switching back to one of the band’s predecessors. The former is a fun ride, but Screamadelica could still blow your mind.
  8. Nov 3, 2016
    67
    The second LP mines elements from their debut, but pushes bigger and more ambitious with plenty of room left to grow.
  9. Oct 14, 2016
    65
    Truthfully, with as much talent as there is in Jagwar Ma, and their comfort with experimentation and skill in the studio, there's no reason to not expect a great record from this band. Unfortunately, this one is just not it.
  10. Oct 17, 2016
    60
    Jagwar Ma are still playing catch-up with their compatriots, Tame Impala and the Avalanches.
  11. Q Magazine
    Oct 13, 2016
    60
    Plenty of opportunities to put your hands in the air, but, ultimately, you may not care. [Nov 2016, p.108]
  12. 58
    Overall, no risks are taken: all of the lyrics want to be mantras but end up as little nothings instead; practically all of the songs reveal their hands way before their often too-long song lengths; they mistake reverb as a songwriting tool.
  13. Oct 20, 2016
    50
    Every Now And Then takes the form of a transcendental equivalent of the longest summer. Wavelengths stretch leaving you feeling worked over, fatigued and ready for a taste of something new.

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