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The WireNov 20, 2019Heavy, expressive and uncompromising, both Wrecked and Analog Fluids Of Black Holes gesture at fresh, purposeful possibilities for noise and experimental music. [Nov 2019, p.49]
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Nov 18, 2019With Wrecked, ZONAL and Moor Mother have made a joyously feel bad album whose grinding negativity and tidal heaviness provides a necessary form of catharsis, that sloughs or burns off the stench of ego and know-betterisms. It demands a form of humility from the listener both of their place in the world, and of the experience and position of others.
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Nov 18, 2019It's obvious that Broadrick and Martin left a considerable amount of space for Ayewa's righteous venting, as the bass and drums get bigger and louder during the album's instrumental second half.
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Nov 18, 2019Sonically and conceptually, Wrecked is a more mature work than Techno Animal's last LP, the rowdy, energetic The Brotherhood Of The Bomb. Most significantly, they have the monolithic voice of Moor Mother, AKA Camae Ayewa. Her cool-headed but threatening lower register delivery is a perfect match for the music.
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Nov 18, 2019While the sound splashed across Wrecked is quite gripping (exceptionally gritty electronic that heavily works the industrial angle), the lack of distinction within, and contrast between, tracks makes it tough to get behind.