- Critic score
- Publication
- By date
-
BlenderRefining the spare sound of her last studio album "Uh Huh Her," she herein presents an 11-part song cycle about loss, longing and wandering bereft through the moors. [Oct 2007, p.108]
-
Put in context, White Chalk serves her purposes, much as Bruce Springsteen’s "Nebraska" served his. On initial listen, the album is not a step forward, nor is it a step back, but rather a lateral move intended to leave breathing room for her next attack.
-
Over the course of eleven songs of grim predestination, virtually no modernizing or even identifying signposts are allowed to disturb the terrain.
-
On the largely piano-based White Chalk, she retreats into an odd little-girl-lost persona, singing almost entirely in a tremulous higher key that strangles the most powerful instrument in her arsenal: that voice.
Awards & Rankings
User score distribution:
-
Positive: 82 out of 99
-
Mixed: 7 out of 99
-
Negative: 10 out of 99
-
DamonMitchellNov 13, 2007
-
PatrickWheelerNov 6, 2007
-
RyanOct 30, 2007