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Tipsy's second album, Uh-Oh!, doesn't just rehash the mid-'90s martini-music comeback, it recasts it, ushering the exotica percussion, soaring strings, tinny organs and surf guitars of Combustible Edison and Esquivel into a brave new world of looped breakbeats and laptop trickery.
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Slipping dissonant, screeching bleeps into a placid, space-age bachelor pad schema seems oddly passive-aggressive, though not enough of either to pass as legitimately interesting.
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The Wire[Tipsy] painstakingly process small episodes of manufactured excess and thoughtless musical effect into tracks evoking the giddy pleasures to be found in running your favourite party tapes at the wrong speed. [#206, p.81]
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oooahhhSep 20, 2004love it hate it its great!