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These 38 meticulously prepared minutes offer dozens of memorable moments. They just demand that you listen.
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I’ve not listened to any other album from 2009 quite so much, or quite so closely, a reflection not only of the exacting single-mindedness of O’Rourke’s vision, but also of The Visitor‘s loveliness.
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The Visitor seems especially appropriate in this age of additive excess. It’s less a demonstration of O’Rourke’s ego than of his conceptual vision, which has always been relayed with an innate sense of purpose--a rarity these days.