• Record Label: Merge
  • Release Date: Aug 3, 2010
Metascore
87

Universal acclaim - based on 43 Critic Reviews

Critic score distribution:
  1. Positive: 40 out of 43
  2. Negative: 0 out of 43
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  1. It's profoundly self-serious, expertly workmanlike, occasionally transcendent, but lacking that childlike volatility, that glorious willingness to look and sound ridiculous. It's rare that so much nonetheless leaves you wanting more.
  2. The Suburbs offers several observations comparable to the ones above but fails to combine them with a greater mixture of moods and topics.
  3. It would help if the songs were better, but with all the up-and-down scales and chirp-chirp-chirpiness, the American Express commercial gradually gives way to a Riverdance special on pay-per-view.
User Score
8.8

Universal acclaim- based on 792 Ratings

User score distribution:
  1. Negative: 32 out of 792
  1. Aug 13, 2010
    10
    "The Suburbs" is a masterpiece, possibly the greatest album so far of the 21st century. It's like a Martin Scorsese movie in the sense that"The Suburbs" is a masterpiece, possibly the greatest album so far of the 21st century. It's like a Martin Scorsese movie in the sense that there isn't a wasted second. Every detail has been meticulously crafted, from every musical note to every lyric. This album is as close to perfection as it gets. But it's so deep and nuanced and passionate and heartfelt that it takes time to peel off every layer to realize just how unbelievably substantive this album is. Arcade Fire comes as close to matching Bruce Springsteen during his heyday as we're ever likely to get. Full Review »
  2. Aug 11, 2010
    10
    There are great albums and there are masterpieces. The only difference between the two is that a masterpiece, while being equally solid fromThere are great albums and there are masterpieces. The only difference between the two is that a masterpiece, while being equally solid from top to bottom, possesses an ethereal quality about it, as if the album is alive and has its own distinct personality. The Suburbs is a masterpiece for that very reason. Every track is solid on its own merit, but it's when the album is taken as a whole that it comes to life. There is no standout track; set aside an hour and absorb it in its entirety. Full Review »
  3. Aug 13, 2010
    9
    Arcade Fire's third album is a little different to their previous two. On first listen, it appears that the crescendos and walls of soundArcade Fire's third album is a little different to their previous two. On first listen, it appears that the crescendos and walls of sound we've come to expect have mostly been faded out to be replaced by more space and an unhurried saunter through the places the Butler's grew up in. None of this is bad; the band as tight and melodies as gorgeous as ever. Two tracks highlight the band's fondness for new sounds. The first, Sprawl II (Mountains Beyond Mountains) goes into electro territory, Regine's vocals perfectly complimenting the mirrorball soundtrack. The second, Month Of May takes things in the direction of straight ahead punk rock but is no less stirring than when the church organs are ramped up to 11. These are sounds I hope we will be hearing more of in the future. For now though, this is a very modern blend of folk rock and synth pop which should open the door to wider popularity. Best of the homely gems for my money is City With No Children. It quickly achieves lift-off the same way as Rebellion or No Cars Go do on previous albums. And then back down to earth... but never for long. It's this pattern of peaks and troughs that run throughout the album; a collection of stunningly played songs put together with some thought. One reason to press an album on to plastic, and then play it from beginning to end. Full Review »