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Reed coaxes great performances out of a few unexpected collaborators--Ornette Coleman delivers frenetic sax playing on Guilty, and downtown singer Antony warbles in a truly otherworldly soprano on The Bed--but these players are crowded out by the albums sprawling mediocrity.
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Maybe it worked on the stage, but taken out of context the result is a two-hour "Huh?" of an album.
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Really, don't waste your time with this.
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This album is as much of a baffling nadir as Metal Machine Music, with nowhere near the stoned bravado.
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The Raven is downright awful, perhaps Reeds worst album since Metal Machine Music.
User score distribution:
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Positive: 12 out of 14
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Mixed: 1 out of 14
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Negative: 1 out of 14
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Jul 16, 2019
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EnriqueRDec 9, 2006
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CosmoJun 2, 2005Makes me want to dance! The most sensual party album of the decade