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- Critic score
- Publication
- By date
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Mar 8, 2012The strongest album of their career thus far.
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Mar 12, 2012They've always had a rich, full sound. But now, it's larger, more grandiose.
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Mar 6, 2012Barring another break-up, The Clearing marks the path toward the rest of a richly rewarding career.
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MojoMar 22, 2012Bowerbirds at their least bucolic, both expanding and focusing on a sound that is as timeless as The Band. [Apr 2012, p. 89]
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Mar 21, 2012What's emerged here is more unpredictable, a transitional record that still feels complete.
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Mar 20, 2012It's the most ambitious and evocative they've ever sounded.
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Mar 12, 2012The Clearing demonstrates an increase in the trio's breadth and scope, similar to Iron and Wine's The Shepherd's Dog, but minus the studio wonkery.
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Mar 12, 2012The Clearing is a woody, creaky, but ultimately gorgeous folk record.
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Mar 12, 2012The album will reward listeners who are willing to let it grow on them.
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Mar 9, 2012The more cultivated recording process allowed textures such as strings, Tacular's accordion and Moore's sonorous and charismatic vocals to assume a richness that has not been heard before.
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Mar 2, 2012The Clearing is a subtle, expansive work.
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Mar 2, 2012This a slow-burning, intimate and accomplished disc, best enjoyed if you clear some space to let it grow.
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Mar 7, 2012The Clearing feels lovingly erected, fashioned bit by bit.
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Mar 15, 2012Gorgeously flawed, The Clearing is a quiet triumph.
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UncutMar 13, 2012Album number three enlarges their sonic palette with piano, dobro and touches of strings and woodwind but maintains the same folksy charm. [Apr 2012, p.71]
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Mar 8, 2012In fashioning it so lovingly and with such care, Bowerbirds have come up with their best to date.
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Mar 5, 2012Although somewhat too sleepy at times, the album's journey of personal admittance uses the instruments strategically to ignite little bursts of hope and newness.
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Mar 2, 2012The album does lose momentum towards the end but hey, here we have a relatively new band experimenting with the boundaries of their proposed genre, with generally impressive results.
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Mar 2, 2012Their sometimes winding songs seeming more taut than ever.
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Mar 7, 2012Rock tropes work well for them. They shouldn't be afraid to embrace that in perpetuity.
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Mar 7, 2012At times the lyrics come across as naïve and disconnected.
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Q MagazineMar 14, 2012Their rough edged-folk has been planed a little smoother, and a breakthrough seems feasible. [April 2012, p.90]
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Mar 12, 2012Their songs on this, their third record, are more expansive, bolder and stranger than those that have come before.
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Mar 7, 2012The Clearing is as pleasant as their previous work, but suffers from a nagging case of diminishing returns.
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Mar 5, 2012Their third album feels singular, apart from its predecessors in spirit, for better and worse.
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Apr 12, 2012The Clearing is nothing if not the sound of a band discovering a new home, musically, emotionally, and physically. The sound is far bigger than either of the previous fingerpicking-heavy records.
User score distribution:
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Positive: 6 out of 9
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Mixed: 3 out of 9
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Negative: 0 out of 9
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Feb 15, 2014
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Mar 31, 2012