• Record Label: Sony
  • Release Date: Oct 5, 2004
Metascore
53

Mixed or average reviews - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 16
  2. Negative: 2 out of 16
  1. The disc is full of ham-fisted experiments. [11 Oct 2004]
  2. New Musical Express (NME)
    0
    Half the time, Good Charlotte sound like Blink-182 after the snip, the other half they sound like the Backstreet Boys without the songs. [16 Oct 2004, p.48]
User Score
7.0

Generally favorable reviews- based on 117 Ratings

User score distribution:
  1. Positive: 82 out of 117
  2. Negative: 28 out of 117
  1. May 6, 2011
    9
    I grew up with GC. I love them. This cd is my childhood. It's there best cd and they will never come abck to this stuff again. They justI grew up with GC. I love them. This cd is my childhood. It's there best cd and they will never come abck to this stuff again. They just won't. This cd is deep and sad. it's a beautiful album and i will not stop loving it. No matter what GC is today. Full Review »
  2. Andrea
    Aug 4, 2009
    5
    The record has bad songs, I could save only three-four tracks. Not the best by this band, only a commercial product.
  3. Paul
    Nov 24, 2007
    1
    I bought this album as an impressionable 13-year old when it first came out. I didn't enjoy it much at the time, and upon returning, I bought this album as an impressionable 13-year old when it first came out. I didn't enjoy it much at the time, and upon returning, realise what a humourless, soulless turd it is. The pre-packaged predictability, the psuedo-goth lyrics (apparently free of irony in songs such as 'The World is Black') and the microwaved, rehashed power chords all reek of product. The transparent punk facade only adds further insult to the listener's intelligence. Album number five might as well be titled: 'My Daddy Left Me But At Least I Have A Platinum Record'. Full Review »