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May 30, 2023Clark’s falsetto, reminiscent of Caribou’s Dan Snaith or executive producer Thom Yorke, is used carefully as a texture that neither distracts nor dominates, counterbalancing the occasionally abrasive electronics.
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MojoMay 26, 2023Sus Dog is the sound of Clark finding his voice in more ways than one. [Jun 2023, p.95]
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May 26, 2023After several years' worth of darker and more obviously thematic work like Playground in a Lake, Kiri Variations, and Daniel Isn't Real, it makes sense that he'd want to make something more eclectic and exploratory, and Sus Dog's exhilarating creativity is a testament to trusting the process.
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May 31, 2023Sus Dog is warm and immediately gratifying, offering the musician’s fragile falsetto as a graceful counterpoint to his intricate and sometimes breakneck production.
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UncutMay 26, 2023While there's a groovy sweetness at work in "Clutch Pearlers", and "Bully" is anything but - a woozy, neon-pastel comforter with a head-nodding pulse. [Jun 2023, p.25]
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May 26, 2023Chris Clark’s Sus Dog tries on a number of stylistic tics—from stuttering electronics to eerie vocals—that recall those of its executive producer, Thom Yorke, but rarely finds a means of organically incorporating them into the IDM veteran’s bass-heavy sound.