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MojoMay 30, 2019Rainford is a late-career answer to 1978 Roast Fish, Collie Weed & Corn Bread, and beyond all reasonable expectation, fully its equal. [Jun 2019, p.94]
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Sep 3, 2019Thanks to Sherwood’s production, all nine songs on Rainford are engaging on the macro level; you won’t have to work hard to enjoy them, and you’ll remember how they go later, and the micro; they are, in the classic dub tradition, rich with bizarre surprises.
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The WireJun 6, 2019Rainford is a classic set of Scratch vocals: science fiction nursery rhymes, apocalyptic lullabies, their melodies light as air yet rocksteady. Scratch’s delivery at the age of 83 is like Dylan’s present-day rasp, no longer about hitting notes or even tone necessarily, but heavy with the weight of his personal and musical history. [May 2019, p.61]
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May 31, 2019This remarkable return to form has Lee Perry making sense, relatively speaking.
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Q MagazineMay 30, 2019A glorious reminder of Perry's unique musical gifts and unhinged imagination. [Jul 2019, p.115]
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May 31, 2019Some tracks feel like freestyles, with Biblical allusions that veer into babbling chants, snarls and shrieks. Sherwood’s signature sound is crisper and brighter than vintage Perry; the grooves here are mostly taut, whirlpooling gradually, with dub pyrotechnics largely reined in.
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May 31, 2019Rainford marks a welcome return for an artist who for far too long had been rendered all but invisible behind his abstruse wit, esoteric demeanor, and all those mirrors.
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UncutMay 30, 2019Perry's cartoonish persona can grate, so it's refreshing to hear him speak from the heart on Rainford. [Jun 2019, p.32]
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May 30, 2019The best moments of Rainford prove that Perry's creative flame is still burning bright, more than five decades after he first began making music.
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Jun 3, 2019There’s some of The Upsetter’s fever dreams in African Starship, and Kill Them Dreams Money Worshippers has a fiery strut, but sometimes Rainford sounds like a posthumous tribute, with Perry a wraithlike absence haunting the spaces of his exhumed past.
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