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Oct 24, 2018Whilst ultimately Possible Dust Clouds may fall short of being another truly seminal Kristin Hersh long-player--which will always be hard given the stiff self-competition of her own bounteous back catalogue--the renewed sense of dynamism, diversity and drive within confirms that there is still plenty of propulsive creative fuel left in the tank.
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Oct 11, 2018It all amounts to Hersh’s harshest offering in sometime, but it’s also the sound of an artist rejuvenated and inspired.
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The WireOct 9, 2018If there’s fun in her music, it’s somewhere between the anaesthetising effect of especially her more electric noises and the ecstatic release in her vocal, both too honest to be anything else but awkward. Fundamentally sociopathic. [Nov 2018, p.55]
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Oct 8, 2018Possible Dust Clouds finds Kristin Hersh as artistically curious and inventive as ever. Committed to avoiding easy choices musically and lyrically, she remains intent on exploring the murky complexities of the mind and continuing to make the best work of her career. She is an artist that’s always evolving, and yet again the results are often dazzling and always fantastically bewildering.
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Oct 5, 2018A stunning display of the grit and poetry that have been hallmarks of her music for decades, Possible Dust Clouds makes a convincing case that Hersh is becoming a more powerful, more creative rocker as the years pass.
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Q MagazineOct 4, 2018It's a stunning, stealthy, faintly malevolent collection of songs that serve as a reminder of this songwriter's power and innovation. [Nov 2018, p.106]
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UncutOct 4, 2018Notably louder than Hersh's other solo records, if it evokes anything else in her canon it's throwing Muses' furious, fabulous 1992 album Red Heaven, "Loud Mouth" and "LAX" being especially elemental eruptions. [Nov 2018, p.30]
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Classic Rock MagazineOct 4, 2018After 30 years behind the mic, Hersh's vocals have gained extra grit and lost none of their eerie magic. [Oct 2018, p.89]
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MojoOct 4, 2018The "dark sunshine" sound Hersh says she's courting is sometimes a little alienating but there are some fine melodies beneath the rubble. [Nov 2018, p.86]