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While being pleasant and listenable enough, Pink Graffiti simply doesn't do enough to set itself apart from the post-chill-glo-surf-wave-fi trend, which is ultimately its downfall.
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Q MagazineTheir densely textured song structures and layered song harmonies reward repeated listening. [Sep 2010, p.120]
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From grandiose opener "Pink City" to the haunting mixture of reverberating voice and piano on the title track, it's evident that singer-songwriters MJ Parker and Charlie Cokey have closely studied Veckatimest's artisanal harmonies.
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The result is an album that's heavy on ideas instead of execution. It's pleasant but forgettable.