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Sep 7, 2017Across its 15 tracks, there are moments of greatness: Reindeer King is a swelling piano ballad about grief that boasts an ambient underside, while the aforementioned Up the Creek fuses a countryfied guitar loop with ominous strings, electro beats and backing vocals from Amos’s teenage daughter, Tash, to create a multifaceted soundscape. ... However, much of this album is forgettable.
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Sep 5, 2017With such weighty subject matter, and with some own personal trauma influencing the record, it’s sadly lacking in bite or overall attack.
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Sep 5, 2017When Amos eschews her band in favor of barer piano-and-vocal arrangements—as on the contemplative “Breakaway,” the surprisingly reverent “Climb,” and the lush “Mary's Eyes,” a mournful plea to the gods to reverse Amos's mother's aphasia--Native Invader fulfills the promise of its stunning opener.
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Sep 5, 2017he languid mid-tempo tones are certainly pleasant and, on the likes of Wildwood, sometimes capture a sense of achingly beautiful melancholia. Still, you’re left longing for Amos’s social commentary to be laced with just a little more venom to truly conjure the state of upheaval in the world.
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Sep 7, 2017Having spent so long exploring the intensely personal, she struggles here to find the right tone for more public matters.
Awards & Rankings
User score distribution:
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Positive: 128 out of 139
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Mixed: 6 out of 139
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Negative: 5 out of 139
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Sep 20, 2017
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Sep 8, 2017
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Dec 7, 2017