Buy Now
| Buy on |
|
- Critic score
- Publication
- By date
-
Sep 30, 2015The artists on C-ORE complement one another in that they share a certain darkness and an interest in digital experimentation, but their voices and methods are distinct, ensuring the album is defiantly unpredictable.
-
Oct 26, 2015Making good on Quattlebaum's professed interest in radical queer politics, the music on C-ORE feels suitably radical, queer and non-conformist.
-
Oct 2, 2015C-ORE offers its own representation, served by the idiosyncratic artists involved.
-
Sep 30, 2015Like a lot of compilation albums, C-ORE struggles with coherence, but still makes for a tantalising selection box and entry point to the DMG project.
-
Sep 30, 2015C-ORE isn’t a Kingdom Come-like statement of return, but it’s also not a departure. As a collaborative work, it documents multiple experiences of life on the margins of America, of music—putting it all on blast.
-
Sep 30, 2015Surrounded by blunt-force catharsis and brandishing some clever, caustic wordplay (like rhyming Lil Boosie with Susan Lucci), Blanco manages to be a pure delight as a rapper, even if he isn't calling himself one.