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This unpretentious attitude permeates the album’s writing and terse production whose results are self-evident: it lacks the unique resonating timbres one is accustomed to with Beck.
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It's hard to deny the fresh, eclectic sounds of Walls or the sheer beauty in the closing sounds of Volcano, but overall, if this is any indication, Danger Mouse's productions are losing their novelty, and Beck remains at an uneven point in his career.
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Modern Guilt feels like a vanity project: there is no attempt to reach out, none of the classic pop singles Beck has been revered for, just 10 inward-looking, unlovable tracks.
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Everything moves in linear fashion backwards, with only Danger Mouse’s bold battering saving Beck from a horrifying relapse into dreary Sea Change melancholia.
Awards & Rankings
User score distribution:
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Positive: 86 out of 98
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Mixed: 10 out of 98
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Negative: 2 out of 98
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Jun 15, 2019
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Nov 1, 2011
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thehamsterJan 18, 2009