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MojoApr 27, 2016The album works better as [a] vehicle for Williams' fiery, lucid spiels and inventive productions than straight-up narrative. [Jun 2016, p.97]
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Feb 2, 2016All the same, nothing hits with the same succinct and simple impact as early wins like ‘List of Demands’ or ‘Black Stacey’.
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Jan 27, 2016The more overtly rock moments give the album a bit too much of a 90s alternative feel, but that’s got to be expected from someone who came out of the slam poetry scene and previously worked with Trent Reznor.
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Jan 27, 2016Williams’ songwriting approach, while accomplished and still urgent, occasionally loses some of its ferocity and connection to the theme by playing to his game a bit too much; relying on that trademark electro-rock production instead of mutating contemporary trap and noise feels like a slight misstep.