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Love Remains is an immersive experience that transcends its chilliness (and speaker-crackling sonic limitations) through pure emotio.
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Jan 28, 2011Some have decried the use of clicks and fuzz, but they're surely half the point in this exquisite album-length disquisition on memory and desire, love and loss.
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There's no pandering to authenticity here, no appeal to the emotion: Love Remains doesn't drag you into its world with any sort of force whatsoever so much as it places square within it, naked and indifferent.
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Love Remains, because of its construction, feels like music that comes from inside, as if the act of listening completes it.
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UncutApr 13, 2011It's confounding at first, but the more you strain to hear, the more Krell reels you in. [May 2011, p.88]
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Dec 22, 2010How to Dress Well has most often been described as a distorted take on R&B, and I suppose that's most accurate, too. Love Remains substantiates the hearsay with slow, soulful requiems that begin to feel like lovingly sculpted effigies of some of the genre's more immortal catalysts.
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Dec 21, 2010How To Dress Well is certainly not the only contemporary act to use nostalgia as the basis for an aesthetic, but Krell's ideas about the past and our relationship to it seem to be considerably more sophisticated than those of his peers.
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Dec 14, 2010Despite its conceptual underpinnings, Love Remains never sounds overburdened by theory, which is a real danger for Krell, a guy whose day job involves translating books on Kantian philosophy.
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Love Remains is a striking debut, one that speaks to how we listen to and remember music we love, and the impact it makes on everything else we hear.
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With its haunting risks that resonate, Love Remains is a perfect fall record.
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This debut is a different kind of soul music, as meditative as it is evocative.
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The WireApr 28, 2011Better, Perhaps, to hear How To Dress Well as the latest in a lineage of lo-fi bedroom songwriting dating back to Sebadoh and Smog in the early 1990s, via Alexis Taylor, Antony Hegarty, Jamie Lidell even, and perhaps as far back as Green Gartside, and his would be soul diva falsetto. [Mar 2011, p.50]
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Dec 21, 2010Love Remains shows that Krell is definitely adept at delivering feelings, but there's more than a couple of tracks that could use a little more personality.
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Oct 26, 2010Krell succeeds at creating a sonic universe he can call totally his own, but the lo-fi approach, his sharp falsetto, the in-the-red mix, and the foundationless compositions are both exhausting and alienating.
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Love Remains has no established coherence, disrespects the meaning of creating a full length from scratch by (reworking?) rehashing material, and frankly, relies too much on Krell's scorching falsettos.
Awards & Rankings
User score distribution:
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Positive: 18 out of 20
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Mixed: 1 out of 20
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Negative: 1 out of 20
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Oct 18, 2010
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Oct 21, 2010
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Oct 15, 2010