Lioness: Hidden Treasures
by Amy Winehouse
  • Record Label: Island
  • Release Date: Dec 6, 2011
User Score
8.1

Universal acclaim- based on 63 Ratings

User score distribution:
  1. Positive: 50 out of 63
  2. Mixed: 9 out of 63
  3. Negative: 4 out of 63
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  1. aarondu
    Dec 7, 2011
    3
    This is not an 'album', it is a collection of hazy b-sides and hastily re-produced recent demos released just in time for the Christmas gift shopping season. It's not an album to please her fans (though it's nice to hear the great new track "Between the Cheats", the best track here by far) and as such, it seems like a coarse and disappointing way to cash in on the recent interest inThis is not an 'album', it is a collection of hazy b-sides and hastily re-produced recent demos released just in time for the Christmas gift shopping season. It's not an album to please her fans (though it's nice to hear the great new track "Between the Cheats", the best track here by far) and as such, it seems like a coarse and disappointing way to cash in on the recent interest in Winehouse's music after her early death. There's not a single weak track on the singer's touchstone album, Back To Black--there's a real sense that that album was planned to be as strong, cohesive, and distinctively Winehouse as possible. With the late singer drinking herself to death and only able to record a couple demos post Back to Black, Ronson (the producer here) has no such editing privileges: he's obviously grasping at straws, including mostly material from Winehouse's Frank era and demos from Back to Black. (Frank, by the way, is decidedly timid compared to Back to Black; with Winehouse's vocals especially nasal and her pronunciation a little too polite.) So on Lioness, we're left with a Winehouse cover of "The Girl from Ipanema" that's orchestrated all wrong for her voice, too fast and high; a limp version of "Tears Dry on Their Own" that makes me feel like I just downed a bottle of Nyquil; and a lovely version of "Will You Still Love Me Tomorrow" that was already released...in 2004! Overall, a desperate and disrespectful attempt to wring one more album out of a dead and incredibly talented drunkard. It would have been better to end her discography on Back to Black.… Expand
  2. Funkymonk
    Dec 7, 2011
    1
    Winehouse was horribly overrated but surly even Amy fans will fell ripped off but this cheap cash in of B-sides and unfinished recordings. Enough said.

Awards & Rankings

78
#78 Most Discussed Album of 2011

Critic Reviews

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Metascore
65

Generally favorable reviews - based on 28 Critic Reviews

Critic score distribution:
  1. Positive: 13 out of 28
  2. Mixed: 13 out of 28
  3. Negative: 2 out of 28
  1. Mojo
    May 31, 2012
    60
    [Amy Winehouse had] something compelling, human and wonderful, and it surfaces just enough on this compilation to make it worthy of her name. [Jan 2012, p.91]
  2. Boston Globe
    Feb 7, 2012
    80
    It's a gift to hear anything from Winehouse in the wake of her untimely death, and this new compilation features true treasures.
    Read full review
  3. Q Magazine
    Dec 22, 2011
    60
    An admirable tribute if frequently deafened by the echo of its tragic catalyst. [Jan 2012, p.121]
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