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Still sounding like no other artist on the planet--whether because of talent or intent--Squarepusher succeeds again with a radical, challenging piece of music.
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Alternative PressHe further hones his flamboyant jazz chops while elevating his melodic and rocking abilties to new heights. [Jan 2008, p.131]
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Just a Souvenir reveals itself to be a solid record, up there with the best of Squarepusher's work--as any good performer knows, you always leave the audience wanting more.
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Despite Jenkinson playing every instrument, including his customised six-string bass, it does sound like a group effort.
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As the languid classical guitar that dots the album brings it to a close, it hits that this 44-minute opus is perhaps more inviting, and more melodic, than anything Jenkinson has done in a long time.
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In the end Just A Souvenir isn't quite as consistent as it could be, but it offers a nice new direction that will likely have a bit more staying power.
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A few breakneck thrash-jazz tracks, occasionally bearing a resemblance to TNT-era Torotise, make way for a distinctly downbeat end to the record. It’s a shame, because Just a Souvenir really could have done without the insipidness of 'Duotone Moonbeam' or the languid 'Quadrature.'
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So even though it all adds up to Jenkinson’s most human album in years, its most heartening aspect is that it’s still launched from his usual paradigm.
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Just A Souvenir contains more music than you might expect from two separate albums, and it's a thrilling if occasionally saturating listen.
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Under The RadarLike any jam band, Squarepusher begins to outstay his welcome after the noisy bass and drum kit duke- out of “Planet Gear.” Thankfully, the idyllic guitars of 'The Glass Road’s' and 'Yes Sequitir’s' idyllic guitars and the retro-futuristic computer voice of 'The Coathangars’s' retro-futuristic computer voice keep these heavenly interstellar jams from sounding too analogous. [Year End 2008]
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There's still too much here which feels (and sounds) like filler, but when Jenkinson pulls it off it's as incomparably awesome as ever.
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The record is neither a failure, nor can I imagine is it a pisstake. No, this is Tom Jenkinson letting out his inner rock star, letting his guard down from the laptops a little bit more, and having sloppy fun.
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Ultimately, Just a Souvenir is the awesome, but hardly mind-bending, spectacle of an electronica wizard buying a fuzz box.
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Q MagazineExhuasting but rewarding too. [Dec 2008, p.135]
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MojoUnfortunately the reality doesn't quite live up to the concept, because unuually for Squarepusher it isn't quite bonkers enough. [Dec 2008, p.100]
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This lengthy offering comes complete with a detailed manifesto about its inspiration. Too bad it reads like your kid brother’s first ’shroom trip.
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The WireIt all makes for an album which is strangely boring; the baroque detailing becomes an inaudiable blur. [Dec 2008, p.65]
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Not up to par with his other albums, Tom Jenkinson's latest work is saved only by his name and not his art.