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Nov 26, 2013Upon first impression, Milosh’s latest solo effort appears somewhat slight, but it deepens and reveals multiple layers with each listen.
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Nov 26, 2013As on Woman, much of Jet Lag's lyrics slide between romantic and erotic, full of longing, discreetly laced with sexually suggestive content. It all adds up to a sophisticated electronic pop album with a serious lingering effect.
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Dec 5, 2013Slipping into a pleasant indolence, out-of-focus piano ballads and back-masked tape loops populate this miniscule album.
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Nov 26, 2013This impatience turns into a tension, and this tension is what allows for ten tracks of what are essentially love ballads to remain interesting after repeated listens.
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Nov 26, 2013The best mood music transfixes; merely excellent, Jetlag is sometimes too easily relegated to the background.
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Dec 13, 2013Jetlag comes off secluded and intuitive, which wouldn’t be a problem if he didn’t cut his talents short.
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Dec 12, 2013A few songs are too long and self-indulgent (Do You Want What I Need, Hold Me), but the fuzzy synths, minor-key melodies and subtle worldy percussion make it very easy listening on the whole.
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Nov 26, 2013Milosh’s crisp electronic soundscapes work mainly as contrast, immaculate bedding designed to melt away as his warm voice slithers in. At his best on Jetlag, Milosh builds up his tracks in the simple interest of pulling them back to let the vocal take over.
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Feb 11, 2014Jetlag is a lot of interchangeable tunes that rests on the shoulders of Milosh’s undeniably pretty voice, seemingly released as soon as possible to capitalize on his success with Rhye after laboring in obscurity for the greater part of the decade.
User score distribution:
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Positive: 5 out of 6
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Mixed: 1 out of 6
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Negative: 0 out of 6
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Dec 22, 2013
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Dec 11, 2013