Metascore
82

Universal acclaim - based on 21 Critic Reviews

Critic score distribution:
  1. Positive: 20 out of 21
  2. Negative: 0 out of 21
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  1. Aug 20, 2021
    100
    This is a great, great album, one that exists entirely on its creators’ terms.
  2. Aug 19, 2021
    91
    Infinite Granite is a stunning journey from beginning to end, as Deafheaven continue to refine, develop, and even experiment with their identity. Undoubtedly, it contains some of their boldest and most heavenly material to date, and it peppers in just enough heaviness to embody the other side of their sound.
  3. 90
    Deafheaven are the masters of tension and release, and this record reinstates that less is, in fact, more.
  4. Aug 20, 2021
    89
    [Lead vocalist George Clarke has] changed up his style so dramatically for the band’s fifth studio album that it actually sounds like they have a different singer. While “Infinite Granite” is unmistakably Deafheaven and continues their progression as one of the most innovative and powerful rock acts of the past 20 years, it’s a big change. ... A year into their second decade, Deafheaven have launched an entirely new chapter — they can go absolutely anywhere from here.
  5. Aug 20, 2021
    87
    Over the past eight years, they’ve demonstrated their creative ambition, as well as the courage to move away from the sound that made them successful. And on Infinite Granite, they prove they have the chops to follow the path of their choosing, wherever it may lead.
  6. Aug 20, 2021
    81
    Infinite Granite feels less like an abandonment, and more like a new era – a rebirth that fans can either jump on or off for.
  7. Classic Rock Magazine
    Sep 15, 2021
    80
    Infinite Granite resounds with delights in its own ingenuity. [Oct 2021, p.78]
  8. Sep 13, 2021
    80
    It’s the sound of a band transforming into something subtle but beautiful—the same way trees do when their foliage fades from green to orange.
  9. Aug 23, 2021
    80
    While perhaps not as original or unpredictable as their previous monoliths, Infinite Granite is undoubtedly another epic, engrossing and engulfing piece.
  10. Aug 20, 2021
    80
    To some, Infinite Granite is a further step away from what they want. To others, a step further into it. For Deafheaven, it’s simply who they are. Truthfully, it’s who they’ve always been. No surprises here.
  11. Aug 20, 2021
    80
    This album is a riposte to the doubters as Deafheaven morphs once again, into quite possibly the best version of itself.
  12. Aug 20, 2021
    80
    Deafheaven have always been a challenging band and this album seems to work as a direct challenge to fans who might be intent to just pigeonhole them into a singular style. Fans willing to do the work, however, will find a lot of reward in Infinite Granite, even if the initial shock is off putting. ... Infinite Granite feels like the exact album Deafheaven wanted to make, and their commitment shines through in every track.
  13. Aug 19, 2021
    80
    Taken on its own terms, this is a very successful shoegaze-inspired rock record with a great sense of dynamics and some really catchy songs.
  14. Aug 19, 2021
    80
    It has the potential to be an outstanding listen, and it would have been if ‘Other Language’ and ‘In Blur’ had a slightly stronger sense of direction, but Deafheaven has still crafted a record to get lost in. The metal purists crying sellout will sorely be missing out.
  15. Aug 18, 2021
    80
    While Deafheaven's change in direction isn't an unwelcome one, there isn't quite the same rush as their previous best efforts, as they adapt to their new surroundings. Minor gripes aside, Infinite Granite proves Deafheaven's mettle and shows you don't always have to shout loud to hit hard.
  16. Aug 18, 2021
    80
    In its lyrics and tone, Infinite Granite is remarkably blue, and beautifully so. Some fans might not appreciate the direction the band has taken towards the light, but nevertheless, the heart of Deafheaven remains.
  17. 80
    The risk here pays dividends. It’s their most ambitious and cohesive album to date and embracing their shoegaze selves brings renewal: for a band known for torment and chaos, it’s a joy to hear them sounding so hopeful.
  18. Aug 20, 2021
    70
    Infinite Granite is a transitional record, but it's an enormously pretty one, and it suggests that their directional shift is an excellent idea that warrants further exploration.
  19. Aug 18, 2021
    67
    Infinite Granite is easy on the ears, a lush and transporting listen, but it also runs together in a way previous albums from this band—with their hills of jagged intensity and valleys of, yes, heavenly beauty—really didn’t. Here, we get only the beauty: a long, indistinguishable blur of pleasure.
  20. Aug 23, 2021
    65
    If Infinite Granite was a debut by a band with no backstory, it’d be impressive as hell. But knowing Deafheaven’s singular ability to pull off thrilling highwire acts, their latest subversion of expectations feel less like a bold statement and more like a predictable move to gentler pastures.
  21. Aug 18, 2021
    60
    There are some real moments of beauty on the record - 'In Blur' aches and sparkles, whilst singles 'Great Mass Of Colour' and 'The Gnashing' showcase a band adept at building beautiful soundscapes even with the guitars turned down - but at a certain point, the album suffers from the lack of depth in Clarke’s vocals, or range in his melodies.
User Score
8.6

Universal acclaim- based on 30 Ratings

User score distribution:
  1. Positive: 27 out of 30
  2. Negative: 1 out of 30
  1. Aug 20, 2021
    10
    Incredible album. Ecstatic that this band has not remained stagnant and has continually changed their sound.
  2. Aug 21, 2021
    1
    It is an uninspired, boring record that lacks everything that we love about deafheaven and their uniqueness. This sounds like every otherIt is an uninspired, boring record that lacks everything that we love about deafheaven and their uniqueness. This sounds like every other post-rock band. Full Review »
  3. Aug 20, 2021
    7
    This album has some highs and lows.

    Based on the three singles released in anticipation of the album, we knew Deafheaven was going in a
    This album has some highs and lows.

    Based on the three singles released in anticipation of the album, we knew Deafheaven was going in a different direction. I was excited. I thought Great Mass of Color and The Gnashing were strong singles.

    Inifinite Granite's first four tracks give the album a strong start. When listening to the interlude in Neptune Raining Diamonds, you expect the album to come back in with a punch. Instead, it lulls into what I feel is bland shoegaze. The album finishes stronger with The Gnashing and end track Mombasa. I don't mind George Clarke's clean vocals, but I'd understand why some would feel his transition from screaming to a more subdued awkward clean delivery might seem ridiculous.

    With so many great shoegaze acts coming out in the past decade, this doesn't do much to stand out for me. The last 3 minutes of Infinite Granite tease that traditional Deafheaven blackgaze sound, which makes me wish I was listening to Sunbather or Ordinary Corrupt Human Love. That's what some critics are asking: Did Deafheaven stop doing what made them so great?

    Strong 3/5
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