• Record Label: Nettwerk
  • Release Date: Aug 12, 2014
Metascore
66

Generally favorable reviews - based on 23 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 23
  2. Negative: 0 out of 23
Buy Now
Buy on
  1. Aug 25, 2014
    80
    I’m Not Bossy, I’m The Boss is the work of neither dominatrix nor diva. It is, however, Sinéad O’Connor’s most emotive, accessible work in years and could well thrust her back into the limelight all over again.
  2. Mojo
    Aug 20, 2014
    80
    I'm Not Bossy, I'm The Boss is simply a remarkable collection of well-made songs. [Sep 2014, p.94]
  3. Aug 11, 2014
    80
    Be it personal or observational, O’Connor is definitely in charge on Bossy.
  4. The result creates a perfect arc--one O’Connor has, here, fully realized.
  5. 80
    While O’Connor never really went anywhere, this self-assured and confident release feels like a comeback. It has elements of what made her so strong and startling back on her still dynamic 1987 debut but tempered and matured with the wisdom of a quarter century of experience.
  6. Uncut
    Aug 6, 2014
    80
    The intensity and drive of the guitars--when they hit--matches the passion and righteousness of O'Connor's mesmerising delivery. [Sep 2014, p.80]
  7. Aug 12, 2014
    75
    This funny, convincing, unembarrassed collection proves she's no cartoon.
  8. Aug 14, 2014
    72
    O’Connor is pushing herself on every song here--maybe not always in the right or most obvious or safest directions, but always with some purpose.
  9. Aug 15, 2014
    70
    O’Connor and long-time producer John Reynolds frame the collection in familiar musical motifs, but carve out plenty of intriguing intricacies along the way. Because of that natural balance, I’m Not Bossy feels almost like the long-awaited response to I Do Not Want‘s still-echoing call.
  10. Aug 14, 2014
    70
    Her extreme choices can fall extremely flat when she tries too hard to force them to be what she wants (or, to put it in Sinead's own terms, when she winds up coming off as bossy instead of as a confident, charismatic boss). But when they pay off, it's all worth it.
  11. Aug 11, 2014
    70
    That I'm Not Bossy, I'm the Boss continues a string of strong, entirely enjoyable releases is a bonus for Sinéad's audience, but as evidenced by liner notes that proclaim "this album is dedicated to me," she's still doing it for no one but herself.
  12. Aug 11, 2014
    63
    Unfortunately, much of the album shrouds the transparent emotions in slick production, most egregiously O'Connor's multitracked vocals. This is not a new problem for her, but it's particularly vexing in that it sugarcoats songs that should be anything but.
  13. Q Magazine
    Aug 28, 2014
    60
    It's a shame that the album starts so blandly. [Sep 2014, p.109]
  14. Aug 13, 2014
    60
    Musically, I’m Not Bossy is pure pop with a wonderful glam mindset, but there was certainly more lyrical attention needed for it to succeed its intended purpose.
  15. Aug 7, 2014
    60
    If they [the songs] are fiction, this is a triumph of storytelling. Where things fall down is in the production: the howling blues-rock of The Voice of My Doctor aside, her singing is pulped into a girlish murmur, which is no way to treat one of pop's great voices.
  16. Aug 7, 2014
    60
    O’Connor’s impassioned delivery elevates the most middling melodies and predictable rhymes.
  17. Aug 6, 2014
    60
    I'm Not Bossy is sonically diverse, but rarely do the songs give O'Connor the opportunity to flaunt her impressive vocal range or, aside from closer "Streetcars," explore the more intimate side of her still-striking voice.
  18. Aug 13, 2014
    58
    There are transitions in mood, but the focus is on love songs with vitriol supplanted by a brand of joie de vivre, the darkness still there but distanced.
  19. 50
    The album title promises much in the way of forthright antagonism and the Jessie J hair she sports suggests some kind of ironic statement on the chart mainstream, but the content fails to deliver, save for two isolated moments.
  20. Aug 12, 2014
    40
    For an album that focuses on the theme of love, it’s really hard to find anything to swoon over on I’m Not Bossy, I’m The Boss.
  21. Aug 12, 2014
    40
    Unfortunately, O’Connor’s music doesn’t reflect the independence she aspires to.
  22. Aug 12, 2014
    40
    O'Connor never really goes big with any of these songs and never passes the limits of the uninteresting backing music.
  23. Magnet
    Aug 6, 2014
    40
    Bossy's reformation seems based in penning the dullest platitudes imaginable. [No. 112, p.59]
User Score
7.5

Generally favorable reviews- based on 19 Ratings

User score distribution:
  1. Positive: 15 out of 19
  2. Negative: 2 out of 19
  1. Jul 13, 2015
    8
    Many would say a return to form for Sinéad O Connor but probably more accurate to say its a return to more pop oriented territory. "I'm NotMany would say a return to form for Sinéad O Connor but probably more accurate to say its a return to more pop oriented territory. "I'm Not Bossy..." is a slick number, decently produced, well written and well put together. At times its possibly over produced and O'Connors voice doesn't get the prominence it deserves but its the voice that is at the centre of everything. Fans of O'Connor will lap it up and its great to such a fine artist getting headlines for her music rather than her personal troubles. Full Review »
  2. Oct 13, 2014
    7
    This album had a really cool storytelling arc (about a woman who needs the attention of men growing into a more independent and self-confidentThis album had a really cool storytelling arc (about a woman who needs the attention of men growing into a more independent and self-confident woman) plus some good singles like "Take Me to Church" and "Where Have You Been?" And although it isn't a life-changing listen, it's still pretty catchy. Full Review »
  3. Sep 25, 2014
    9
    The new Sinead O'Connor is easily the biggest music surprise of the year. I listened to it out of curiosity, not expecting very much, but IThe new Sinead O'Connor is easily the biggest music surprise of the year. I listened to it out of curiosity, not expecting very much, but I was really blown away. It's easily her strongest collection since, "I Do Not Want What I Haven't Got." - Just listen to it without prejudice and it will win you over. Full Review »