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May 9, 2017Each song tells its own story so intensely and so completely, like 11 musical horror novellas, that listening to any of them individually produces an experience more like that of listening to a shortish, intense, masterpiece-like album, especially as the songs often have a few different musical sections and ideas.
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Q MagazineMay 9, 2017The pair mesh with ease. [Jul 2017, p.112]
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May 4, 2017I Can Spin a Rainbow finds her bouncing ideas off of the Legendary Pink Dots’ Edward Ka-Spel, whose aggressively experimental approach to what a song can entail is so specific and unyielding that the album forces her into new modes.
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May 5, 2017While definitely an acquired taste, ultimately it's an auditory adventure worth taking that neither wow the listener nor will it disappoint. [Apr - Jun 2017, p.84]
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MojoMay 5, 2017Gloomy, seductive avant folk-blues. [Jun 2017, p.95]
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May 4, 2017It’s a bold, considered whole; it's rich in theatrical texture and ambient psychedelia, but it’s not an easy listen. Often deliberately discordant, it won’t be to everyone’s tastes, certainly not to fans of Palmer’s poppier work.
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Jun 29, 2017At best, I Can Spin a Rainbow feels like the work of two talented artists savoring a long weekend of boundless creativity together, but from an outsider's perspective, the results are a bit too impenetrable to contextualize without having been in the room to witness its genesis.
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May 5, 2017“The Sun Still Shines,” suggests that Palmer and Ka-Spel should have really focused their energies on composing interstitial music for a stage production.
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May 9, 2017The album is convincing as a collaboration between friends, the obvious downside being that it also sounds like an inside joke, an indulgence on a whim that few others share or can access. The record is a slow parade of gothic vaudeville, like a less-convincing Emilie Autumn album without the thrill of the accompanying subculture.
User score distribution:
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Positive: 6 out of 9
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Mixed: 1 out of 9
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Negative: 2 out of 9
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May 8, 2017
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Oct 18, 2017
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May 10, 2017