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Hollywood's Bleeding Image
Metascore
79

Generally favorable reviews - based on 10 Critic Reviews What's this?

User Score
7.7

Generally favorable reviews- based on 329 Ratings

  • Summary: The third full-length release for the rapper features a track from the 2018 animated film Spider-Man: Into the Spider-Verse as well as guest appearances from DaBaby, Future, Halsey, Meek Mill, Ozzy Osbourne, Travis Scott, SZA, and Young Thug.
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Top Track

On The Road
'Cause they ain't never seein' me fold under pressure They ain't ever, ever seen me fold, not never Always keep one up on 'em, 'cause I'm too... See the rest of the song lyrics
Score distribution:
  1. Positive: 10 out of 10
  2. Mixed: 0 out of 10
  3. Negative: 0 out of 10
  1. Sep 6, 2019
    82
    A cushier, dammed near respectable take on his usual tortured soul-wronged mien, with enough caramel sweetness in a majority of its melodies to differentiate his past from his present.
  2. Sep 11, 2019
    80
    Even when he is stretching the boundaries of his sound, as he does in several places on “Hollywood’s Bleeding,” the results feel the opposite of experimental. When you’re an omnivore taking a mortar and pestle to six decades of pop music history and turning it into a smooth slurry, it’s nigh impossible to shock. ... Whatever someone might be hoping to find is in there somewhere. Post Malone is emotional tofu, a skill, not an accident. ... His ambiguity is of an elevated, refined sort.
  3. As Post tries new sounds on for size, some git better than others. Sometime it feels as though he’s still trying to figure this out as he goes. But it’s when he keeps things simple and goes beyond the clichés that he feels most like himself. ... Hollywood’s Bleeding is a playlist made for these times. It’s going to be huge.
  4. Sep 18, 2019
    80
    More well-executed than his previous releases and undeniably catchy, Hollywood's Bleeding is a huge step forward for the guarded superstar, one that doesn't sacrifice the essential elements that made him such a surprise hitmaker, and pushes him even further into the pop-savvy landscape where he belongs.
  5. Sep 9, 2019
    70
    Post Malone still provides us with a sprinkling of the classics: bitches, butts and Millie on wrists, it’s appeasing. But for the most part, he created an insightful and eclectic record which is a testament to his versatility and willingness to do exactly what he wants.
  6. Sep 10, 2019
    68
    When he’s not wasting time trying to glower, he proves himself surprisingly versatile. ... There are a lot of guests on Hollywood’s Bleeding, and all of them sound engaged.
  7. Sep 11, 2019
    67
    It will be a surprise to learn which tracks aren’t singles yet; there’s at least five more hits to be spawned from this thing, and we’ll never hear the end of it.

See all 10 Critic Reviews

Score distribution:
  1. Positive: 80 out of 100
  2. Negative: 14 out of 100
  1. Jan 30, 2020
    10
    He made something for everyone on this record. Mix of rock, pop and hip hop. I think it's a great album and I'm digging the route he's going.
  2. Feb 17, 2022
    10
    eu te amo post malone eu te amo post caralho eu te amo seu filho da puta eu te amo muito
  3. Sep 6, 2019
    10
    This album contains as many gems as beerbongs & bentleys, but what makes this album one of the best of 2019 is the cohesion that was improvedThis album contains as many gems as beerbongs & bentleys, but what makes this album one of the best of 2019 is the cohesion that was improved from the aforementioned album, the dark-pop scopes mixed with hopeful beats that also combine with heartbreak tracks. This being his most diverse album, Post has quite possibly solidified his status as a hit maker with a vision; a vision that includes stories to tell and messages to send. The highlights include Hollywood’s Bleeding, Saint-Tropez, Enemies ft. DaBaby, Allergic, Die For Me ft. Future & Halsey, On the Road ft. Meek Mill & Lil Baby, Take What You Want ft. Ozzy Osbourne & Travis Scott, I’m Gonna Be, Staring at the Sun ft. SZA, Sunflower w/Swae Lee, Internet, Goodbyes ft. Young Thug, Myself, I Know, and “Wow.”; honestly. 9/10 = A Expand
  4. Sep 8, 2019
    9
    This is a timeless album. Post Malone has proven that he is here to stay and be better. All songs are hits.
  5. Jan 9, 2020
    8
    Acho que é um dos melhores álbuns de 2019. Muito coeso, Post Malone sempre envolvido tanto na produção quanto na composição do album. MuitoAcho que é um dos melhores álbuns de 2019. Muito coeso, Post Malone sempre envolvido tanto na produção quanto na composição do album. Muito bom pro seguimento Pop/Hip-Hop masculino que está um pouco fraco até o momento. Ao contrário de outros artistas do mesmo ramo, Post Malone soube distribuir muito bem a ordem das faixas, não exagerando no conteúdo e mantendo a qualidade, que na minha opinião não é ruim. Expand
  6. Oct 5, 2019
    7
    This review contains spoilers, click expand to view. Astronomically better than Stoney, but not as good as b&B. This album comes with very damn good cuts with interesting collaborations but it also has a lot of songs that feel like fillers like "Internet", "I Know", "Saint-Tropez"(one of the worst songs in this album alongside Internet), Sunflower (which felt so out of place), Myself and Wow. That's my only complaint about the record. The rest of the songs, specially Take What You Want, Hollywood's Bleeding, Circles and Allergic are are excellent. Expand
  7. Mar 8, 2020
    0
    post malone is not even CLOSE to hip hop so ZERO HE even said he aint a rapper why would u put it in this section? either way he sucks n realpost malone is not even CLOSE to hip hop so ZERO HE even said he aint a rapper why would u put it in this section? either way he sucks n real repetitive Expand

See all 100 User Reviews