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Jul 19, 2019Essentially, if you loved Con Todo El Mundo, you'll like Hasta El Cielo for a lazier day. If you hoped for another groundbreaking record, though, you'll need to be patient for a little longer. Luckily, you now have the perfect soundtrack to make any wait a little more bearable.
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Q MagazineJul 12, 2019[The] dub deconstruction of second LP Con Todo El Mundo illustrates the trio's virtuosity at sculpting pleasingly languorous, stripped-down soundscapes. [Aug 2019, p.113]
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Jul 12, 2019In rethinking them together, this just might be the band’s most unified piece of work. The ability to harness such rich diversity in sound is what makes this band stand out.
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Aug 30, 2019As dub creates stripped canvases to then be used to host further expressions, so do these versions. They encourage engagement and further remixing by projecting the past and present into an unknown future.
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UncutJul 18, 2019A return trip worth taking. [Sep 2019, p.29]
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Jul 12, 2019A Khruangbin dub record isn't particularly Earth-shattering, especially when dub was already so present in their music. But it's an opportunity for the band to really show off their strengths and further establish what makes them unique.
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Jul 15, 2019The strongest cuts on Con Todo El Mundo are also the standouts on Hasta El Cielo, where they’re run through the usual dub effects: echo, flange, drop-outs, and more.
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Jul 12, 2019The band surely meant for this to be a stopgap until their next album, but rather than giving this a spin it would be more rewarding to go back to Con Todo el Mundo and enjoy its many charms instead. The ways they explore the outer reaches of dub on that album are truly exciting, while this comes off like a school assignment in comparison.