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Frank is a superb debut album that announces Amy Winehouse as a major young talent. With hardly any weak tracks on here, it's frightening to think what she could produce in the years to come.
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Entertainment WeeklyHer first album--a UK smash in '03, now being issued here-- bristles with fiercer intelligence, though it lacks the classic soul-warmth of the Mark Ronson-produced Black. [16 Nov 2007, p.79]
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Frank inevitably feels like a warm-up for Black, but as rough drafts go, this one's a keeper.
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Winehouse's record has the feeling of being allowed to grow on its own--without being meddled with and fussed over.
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Frank is an honest, refreshingly personal record which, though very occasionally strays into easy jazz, has Gucci bags of personality.
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There are contradictions--but it's hard not to hear the honesty and soul that resonates throughout this album.
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Here, her vocals--less developed and wobblier than now, yet still astounding--and tell-it-like-it-is lyrics ('Fuck Me Pumps') take center stage.
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What Frank winds up reinforcing is the fact that Winehouse’s success (unlike name-your-current-American-female-vocalist) is based on pure talent rather than good producers or gimmicks.
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Frank was hailed as a star-making debut when it was issued in Britain four years ago. Heard today, its glossy admixture of breezy funk, dub and jazz-inflected soul makes a somewhat less dazzling impression.
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Hearing 2003’s Frank the first time around, I can’t say I was knocked out by Amy Winehouse’s supper club jazz singing, and the album hasn’t improved with age.
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None of her songs here are as indelible as 'Rehab' or as cutting as 'You Know I'm No Good'--and the best are co-written with Nas and Fugees collaborator Salaam Remi.
Awards & Rankings
User score distribution:
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Positive: 114 out of 129
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Mixed: 6 out of 129
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Negative: 9 out of 129
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Dec 9, 2019if it was possible i would've rated 10000
this album is a mix of everything i love about music -
Nov 6, 2013
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Nov 14, 2011