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MojoAug 22, 2017At times, it recalls the late-'60s acid blues experiments on Leigh Stephens' Red Weather and Peter Green's The End Of The Game but with a shimmering summer optimism and textural complexity all MacKay's own. [Oct 2017, p.92]
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Aug 22, 2017There is a shadowy enigma within Esker that verges on the blissful, thanks to its peculiar melodic turns and idiosyncratic use of sonic effects.
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Aug 22, 2017Just 33 minutes long, Esker is a compelling glimpse of MacKay as a sound painter and spirit explorer.
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UncutAug 22, 2017A neat sampler of MacKay's unshowy virtuosity, at once brisk and mellow. [Jun 2017, p.33]