Metascore
68

Generally favorable reviews - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 16
  2. Negative: 1 out of 16
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  1. Mar 6, 2024
    100
    Steeped in blissful American nostalgia, Bleachers’ sublime self-titled fourth studio album embodies it all, from the rolling vistas to the warmth of distant city lights, at once watching the world pass by and deeply cemented in a moment. It’s rare for an album to capture a feeling so intensely, promoting a universal recognition through something so intrinsically linked to an individual’s time and place.
  2. Mar 6, 2024
    90
    ‘Bleachers’ as an album symbolises the full-throttle shift from solo voice to its current form of ensemble unity; a band of six-talented musicians entering their most monumental era yet.
  3. Mojo
    Apr 23, 2024
    80
    There's taut New Wave (Tiny Moves; Jesus Is Dead), but mainly moody electronic balladry (think Streets Of Philadelphia), with Del Rey turning up to fulfil the intend of her one repeated line ("I'll make it darker") on Alma Mater. [Jun 2024, p.82]
  4. The Lana Del Rey-featuring ‘Alma Mater’ is another prime example of the Bleachers genius, ‘Tiny Moves’’ glistening undercurrent sounds like a sprinkle of magic, and ‘Jesus Is Dead’’s whispered indie rock assessment of New York micro-scenes and life in a band is pure gold. In those moments – a large chunk of this album – any hint of fatigue is blasted away, Antonoff’s presence a welcome one once again.
  5. Mar 8, 2024
    70
    Bleachers occasionally borders on indulgent, but its tangents and loose ends are part and parcel of Antonoff's process -- and part of what makes it such a complete self-portrait.
  6. Mar 7, 2024
    70
    If Antonoff can add more of his own personality into songs as beautifully crafted and well produced as these, they could unleash something special.
  7. Mar 7, 2024
    70
    Bleachers takes steps, stuttering though they may be, towards a more cohesive identity as a band. This record feels less bogged down than its predecessors by glaringly forced attempts at stadium-swelling pop hits better suited for collaborators like Swift.
  8. Mar 6, 2024
    70
    The fourth, self-titled Bleachers record doesn’t veer too far from their previous LPs.
  9. Mar 7, 2024
    64
    On Bleachers—especially on the singles-heavy first half—the band is simply playing for each other, much to the songs’ benefit.
  10. Mar 7, 2024
    64
    Because of this seeming resistance against leaving their comfort zone, Bleachers becomes so opaque it practically evaporates by the time you finish it.

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