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Scarlett Johansson has proved herself as much a rock queen as a roll queen.
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Through it all, Johansson is just another instrument in the mix, and her willingness to allow the arrangements to transform Waits’ creaky intimacy into wide-eyed atmosphere ultimately results in the rare covers album that actually has its own identity.
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FilterAnywhere I Lay My Head is a starling achievement not because Ms. Scarlett has simply managed to cleverly re-imagine some assemblage of Tom Wait songs, but rather, because she has seized upon precisely why they affected us so much the first time round. [Spring 2008, p.91]
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This is a brilliant album that will no doubt top some ‘best of 2008’ lists, but it’s hard to work out if it’s a one-off or not.
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You might wish there was more from Waits' 70s barfly period--what would Johansson have made of Christmas Card from a Hooker in Minneapolis?--but it's a measure of this album's surprising allure that you're left wanting more.
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It's a bravely eccentric selection and a captivating homage to a singular writer.
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Nouveau synth-pop and shoegazer drones mightn’t seem like the wisest bedding for Tom Waits’s compositions, but Scarlett and Sitek know exactly what they’re doing.
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While Johansson's debut is not as pleasant as Zooey Deschanel's work with M.Ward, Anywhere I Lay My Head will surely surprise Johansson's doubters; having grown to appreciate Scarlett Johansson for being more than a pretty face and mediocre actor, I can speak from experience.
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There’s no in between for this one; it will go down as one of those love it or hate it records.
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Against all odds, Anywhere I Lay My Head doesn't feel like a vain stunt. Mostly.
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The whole set is heavily dosed with reverb and electro-swirls, perhaps to cloak Johansson's vocal limitations as much as to add psychedelia.
Awards & Rankings
User score distribution:
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Positive: 39 out of 57
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Mixed: 3 out of 57
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Negative: 15 out of 57
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Sep 23, 2015
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May 4, 2012
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DejanS.Aug 20, 2008Mix of Nico and Sonic Youth. Amazing! Perfect 4 lazy evening.