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- Critic score
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- By date
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Sep 10, 2018It’s hard to think of 7 as anything other than an extension of Beach House’s sound, incorporating slightly different, smaller ideas but all easily applied to their own syntax.
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May 14, 2018Lemon Glow is particularly engrossing, a curdled night sky of a tune whose constituent parts weave in and out of focus. Black Car provides even more enthralling unease, where the various elements become unexpectedly off-kilter and 3D. ... Elsewhere, though, it’s business as usual.
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May 11, 2018Seven albums in, and with a formula that’s kept its core elements largely the same, it’s largely Beach House by-numbers, but the pair have a gravitational pull that looks like it will never run dry.
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Q MagazineMay 8, 2018There's plenty to uncover within its slowly crashing waves of sound, but the main problem is that it all washes over you without leaving a lasting impression. Sumptuous, but forgettable. [Jul 2018, p.108]
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May 8, 2018While they may not have completely achieved seventh heaven here, 7 is still a solid first step heralding Beach House’s next phase.
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MojoMay 7, 2018Pay No Mind plays appealingly like The Jesus And Mary Chain slowed to 16 rpm. Then, just as you're settling into drowsy twilight, out of nowhere, a lyric smacks like citrus on the tongue. [Jun 2018, p.89]
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May 11, 2018It’s not terrible, it’s mostly pleasant to listen to, it’s beautifully produced and it’s easy to recognize the skill it takes to craft their saintly, synth-driven sound. But when you couple a critical reputation like theirs with the band’s own claim of making a big artistic jump, mostly pleasant to listen to shouldn’t cut it.
Awards & Rankings
User score distribution:
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Positive: 179 out of 205
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Mixed: 9 out of 205
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Negative: 17 out of 205
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May 11, 2018
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May 11, 2018
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May 16, 2018Wonderful album. One of my best album of the year so far! Beach house never disappointed.