- Critic score
- Publication
- By date
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A handful of lovingly arranged power ballads were evidently designed to illuminate the singer's remorse over the Rihanna incident. Yet Brown doesn't seem up to the task of contrition.
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Sadly, the only compelling thing about the incoherent Graffiti is the material (both external and internal) that makes it even less palatable than a simply below-average collection of paint-by-numbers R&B beats.
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'Famous Girl' throws the album off balance, and makes every note feel exploitive and self-serving. In trying to restore his reputation, Brown ends up damaging it even more.
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Brown clumsily emphasizes womanizing and hedonism and balances it out with a couple clean and empty ballads. Out of this portion of the album, only a couple songs leave a lasting impression, and when they do, the silly things that come out of Brown’s mouth tend to be the reason.
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Try-hard, but ultimately mediocre R’n’B comeback from disgraced singer.
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Musically, Graffiti is a fairly ingratiating affair: The production is clean and often lively, and Brown sings well enough. The problem is what he’s singing.
Awards & Rankings
User score distribution:
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Positive: 78 out of 166
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Mixed: 6 out of 166
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Negative: 82 out of 166
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Nov 18, 2011
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Sep 2, 2011
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Jan 26, 2011