- Critic score
- Publication
- By date
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Q MagazineA stunning return. [Oct 2009, p.116]
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While they'll never be mistaken for a feel-good band, there is a palpable sense of relief that they get to play together again as a band, and what's remarkable is that they still sound like themselves, capturing that weird murk halfway between '80s metal and '90s northwestern sludge, reminding us that we were missing something in their absence.
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It is a legitimately excellent record that lives up to (and sometimes even exceeds) the song writing standards set by the band on "Dirt" or "Jar of Flies."
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Some of the songs even stack up against the band's original catalogue.
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DuVall, along with the rest of Alice In Chains, has turned a questionable career move into a moving tribute--and a shockingly decent album.
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While there are a few lulls, none are glaringly offensive, and the band builds up so much good will with the stronger material that it’s easy to surrender again to these Chains.
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When AiC hit home though, as they often do, Black Gives Way To Blue becomes the quiet triumph it set out to be.
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The band's classic, downtuned stomp could easily pass for an unreleased track from the "Dirt" era and is sure to keep longtime fans feeling pleasantly dystopic.
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At heart, this is a back-to-basics album a la "Death Magnetic" or R.E.M.’s "Accelerate;" not essential, but definitely worth a look.
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MojoA decent return, Alice mostly impresses despite the limiting permutations of their angst. [Nov 2009, p.94]
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UncutNow regrouped by leader Jerry Cantrell, the bands' sound is still full of menace, melody and doom, chock full of Cantrell's trademark heavy riffs. [Dec 2009, p. 85]
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There’s still something oddly admirable about Alice In Chains’ stubborn refusal to change.
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What Black lacks are great tunes and a sense of can't-look-away drama.
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As with latter efforts Jar of Flies and Alice in Chains, Black's most tender moments ('Private Hell') are its most essential. And while William DuVall is a serviceable Staley impressionist, this comeback would register with more purpose had guitarist Jerry Cantrell assumed the vocal lead.
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ew singer William DuVall spends half his time replicating Staley’s nasal misanthropy and the other half buried by Cantrell’s vocals.
Awards & Rankings
User score distribution:
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Positive: 142 out of 149
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Mixed: 6 out of 149
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Negative: 1 out of 149
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Jan 16, 2011
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Dec 1, 2010
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Jan 3, 2012