The Observer (UK)'s Scores
- Movies
- Music
For 2,623 reviews, this publication has graded:
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37% higher than the average critic
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4% same as the average critic
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59% lower than the average critic
On average, this publication grades 4.9 points lower than other critics.
(0-100 point scale)
Average Music review score: 68
Highest review score: | Gold-Diggers Sound | |
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Lowest review score: | Collections |
Score distribution:
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Positive: 1,235 out of 2623
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Mixed: 1,370 out of 2623
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Negative: 18 out of 2623
2623
music
reviews
- By Date
- By Critic Score
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- Critic Score
Press-release comparisons to Jimi Hendrix and Janis Joplin are misplaced-Lenny Kravitz, maybe--but this is still a good album.- The Observer (UK)
- Posted Aug 23, 2011
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- Critic Score
Gone are the meandering, proggy excesses of 2008's Real Emotional Trash, and in their place are sharper, melody-driven tracks that foreground Malkmus's distinctive oblique wit.- The Observer (UK)
- Posted Aug 22, 2011
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- Critic Score
Fans of long standing might actually find The Rip Tide a bit too restrained now that Beirut sound more assured and less like a tipsy string quartet stumbling around an accordion factory, egged on by a hopeless romantic in his lowest register.- The Observer (UK)
- Posted Aug 22, 2011
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- The Observer (UK)
- Posted Aug 22, 2011
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- Critic Score
The title may be misleading: if there are hearts on this stirring debut they're the blood-racing, pulse-quickening kind rather than any idly-doodled kitsch.- The Observer (UK)
- Posted Aug 18, 2011
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- Critic Score
It's likely to appeal more to dedicated Martyn fans than newcomers but a fine tribute nonetheless.- The Observer (UK)
- Posted Aug 16, 2011
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- Critic Score
It's better than West's last, impressive album, My Beautiful Dark Twisted Fantasy. With fantastically varied production, Watch the Throne marches hungrily forward, belying its genesis in a series of swanky hotel rooms.- The Observer (UK)
- Posted Aug 15, 2011
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Toddla proves himself better at preposterously high-energy dancehall tracks ("Badman Flu") than forays into early-90s piano-led vocal house ("Take It Back"). Good fun in small measures.- The Observer (UK)
- Posted Aug 12, 2011
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On paper, its influences--surf punk, Prince, oriental pop, minimalist dance--smack of hipster posturing, but on record, they blend beautifully.- The Observer (UK)
- Posted Aug 10, 2011
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- Critic Score
Gentle Spirit is one of those group effort records where musicians' edges smudge and no one showboats – except, perhaps, Wilson, who occasionally reels off the kind of distant, contemplative guitar solos so lacking in aggression that they sound like they were recorded the next canyon over.- The Observer (UK)
- Posted Aug 8, 2011
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Souther sings in a mid-70s croon, tuneful but grain-free and, for a man inspired by Roy Orbison, oddly unemotional.- The Observer (UK)
- Posted Aug 8, 2011
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- The Observer (UK)
- Posted Aug 8, 2011
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- Critic Score
You could argue retro soul and R&B are two of the decade's hegemonic sounds, but there's no vamping here. Rather, songs such as "Go On Easy" glide by in an opiated glaze, while "Strange Attracter" makes unexpectedly groovy use of the bagpipes.- The Observer (UK)
- Posted Aug 5, 2011
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- Critic Score
Only the syrupy "I Was Here" disappoints, its corny bluster at odds with the laid-back feel of her most accomplished album yet.- The Observer (UK)
- Posted Aug 2, 2011
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- Critic Score
They may have plenty of heart but their heads are lost in the clouds.- The Observer (UK)
- Posted Aug 2, 2011
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- Critic Score
Ultimately, Famous First Words sets the cause of resurgent guitar rock back… ooh, a good 20 years.- The Observer (UK)
- Posted Aug 2, 2011
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- Critic Score
Now 64, Ely still sings with agility and swagger, though retrospection and mortality tie together the songs here.- The Observer (UK)
- Posted Aug 1, 2011
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