The Independent (UK)'s Scores
- Music
For 2,194 reviews, this publication has graded:
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47% higher than the average critic
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4% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | Hit Me Hard and Soft | |
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Lowest review score: | Donda |
Score distribution:
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Positive: 1,177 out of 2194
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Mixed: 988 out of 2194
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Negative: 29 out of 2194
2194
music
reviews
- By Date
- By Critic Score
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- Critic Score
His barnacled baritone steers a steady course through Moog-soaked covers of favourite songs, with sombre lines about dark oceans, soulless days, and skirting a skeleton coast.- The Independent (UK)
- Posted Apr 22, 2021
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- Critic Score
He’s already had a No 3 album, without the kind of major label backing many of his peers enjoy. The follow-up happens to be even better.- The Independent (UK)
- Posted Apr 19, 2021
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- Critic Score
It’s always nice when artists sound genuinely excited to participate in a collective project, and that comes through in spades on the delightful, crisply produced, and well-arranged McCartney III Imagined.- The Independent (UK)
- Posted Apr 16, 2021
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- Critic Score
London Grammar seldom grab you by the collar; they’re thoughtful middle-class kids making tasteful pop landscapes. If you’re chatting in the car, odds are you might not even notice that Reid is pouring her heart out. But if you’re driving alone, she is capable of breaking yours.- The Independent (UK)
- Posted Apr 16, 2021
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- Critic Score
The album feels baggy in places, leaving you wondering if they’re trying too hard to tick every box. But most of the risks the band take pay off. A very promising debut.- The Independent (UK)
- Posted Apr 13, 2021
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- Critic Score
It’s hard to think of many other contemporary albums that are quite so beautifully arranged as this. ... This is a very special album indeed.- The Independent (UK)
- Posted Apr 9, 2021
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“Windows”, with its eerie synths and squawking delivery, recalls the dark psychedelia of Cypress Hills’ 2018 record, Elephants on Acid. But that then jumps to skittery R&B with “I’ll Take You On”. Nothing joins together. Brockhampton don’t sound self-aware as much as self-conscious.- The Independent (UK)
- Posted Apr 9, 2021
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This is the perfect moment for Fearless (Taylor’s Version): there’s no time like a pandemic to be given a dose of nostalgia, and it’s nice to have a refresher of some of the best pop songs committed to record. Even the six “from the vault” tracks that didn’t make the cut first time round feel oddly comforting.- The Independent (UK)
- Posted Apr 9, 2021
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The best of confessional pop – think Beyoncé’s Lemonade – finds an original sound for an original experience and demands the listener’s attention.- The Independent (UK)
- Posted Apr 1, 2021
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Though it encompasses a whole galaxy of observations and sonic structures, ultimately Head of Roses is worth getting lost in.- The Independent (UK)
- Posted Apr 1, 2021
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Instead of a too-many-cooks situation, which this easily could’ve been, Dessner and Howard find cozy nooks for everyone. The singer’s reedy voice is the drawstring that ties it all together.- The Independent (UK)
- Posted Mar 25, 2021
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A stunning celebration of Black, gay love. ... It is also a groundbreaking proclamation of personal acceptance.- The Independent (UK)
- Posted Mar 25, 2021
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For Those I Love is as much a piece of history as it is a work of art. ... A staggering album.- The Independent (UK)
- Posted Mar 25, 2021
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There’s still a nagging sense that the band are resting on their laurels. The record is still good – DFA are too talented for it to be otherwise – but it’s a little deflating for a band whose history is built on boundary-pushing.- The Independent (UK)
- Posted Mar 25, 2021
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With strong, clear-eyed subtext, overlaid by compositions that touch on every influence from TV on the Radio to Prince, Childish Gambino and Radiohead, Smiling With No Teeth is not so much an album as it is a memoir – a story both unique to Owusu and universal to anyone who has ever felt “othered”.- The Independent (UK)
- Posted Mar 19, 2021
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- Critic Score
It’s a welcome opportunity to revisit Sting‘s lengthy collaborative resume; if anything, Duets serves as a reminder that not only has the man been doing this for a long time, but when he does team up with a new artist, he strikes just the right balance in letting the featured player shine, and letting the song belong to them as well.- The Independent (UK)
- Posted Mar 19, 2021
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- Critic Score
An overstuffed pillow of an EP that seeks to calm all of the world's aches but just ends up sounding schmaltzy and smothering.- The Independent (UK)
- Posted Mar 19, 2021
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It’s been just over a year since Bieber released his worst album. He’s returned with his best.- The Independent (UK)
- Posted Mar 19, 2021
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- Critic Score
A great storyteller, Del Rey consistently delivers the who, what, where and when. She picks out the telling details – turquoise jewellery, the TV in the corner, “on the second floor, baby”. She sketches a backstory (“I come from a small town”) and then tells you how it all feels.- The Independent (UK)
- Posted Mar 19, 2021
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This album is more Pringles than caviar. But it’s comfortingly moreish. When it comes to the Jonas boys, it seems that once you pop, you can’t stop.- The Independent (UK)
- Posted Mar 12, 2021
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- Critic Score
Their latest EP, Lout, is only three songs long, but even in under 15 minutes, the short-player packs a wallop.- The Independent (UK)
- Posted Mar 12, 2021
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I wonder if Larsson boxed herself in with her theme (“I’m obsessed with love”, she told NME in a recent interview), then struggled to find new ways to explore it. Overall, though, Poster Girl has more than enough bops to keep fans happy.- The Independent (UK)
- Posted Mar 4, 2021
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- Critic Score
It’s pleasantly – if forgettably – soporific. The sort of family motorway album that tired parents can hum along to without waking the kids in the back.- The Independent (UK)
- Posted Mar 4, 2021
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Rather than phone anything in, Cooper’s clearly making the most of his elder statesman position, finding new ways to freshen up vintage sounds and styles. He’s every bit as durable as the American city he celebrates.- The Independent (UK)
- Posted Feb 26, 2021
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- Critic Score
Thematically and sonically, For Those That Wish to Exist feels limitless.- The Independent (UK)
- Posted Feb 26, 2021
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Although the sonic mood mellows after the first two tracks, listeners will be invited to share the transcendent joy in memories of a lost child; the awe of an uxorious lover whose prayer-like love for his wife is a continual saving grace; and the frustration of a caged man with an “open road” of a heart.- The Independent (UK)
- Posted Feb 25, 2021
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His 2017 debut Reaper was built around tender guitar motifs that would mesh with stuttery trap beats. There is some of this on Trauma Factory, but it’s been mostly sidelined in favour of vocal melodies that frequently sound like playground rhymes.- The Independent (UK)
- Posted Feb 18, 2021
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- The Independent (UK)
- Posted Feb 12, 2021
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- Critic Score
Despite the album’s slick production and radio-ready melodies, one wishes Pale Waves could find a more sophisticated language to express youthful enlightenment.- The Independent (UK)
- Posted Feb 12, 2021
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The record is divided into two sets. The first half is a jagged-edged electro backed spleen-splurge with all seven tracks titled with the CAPS LOCK ON. The smoother, more soulful second half finds him in more reflective, lower-case mood.- The Independent (UK)
- Posted Feb 12, 2021
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