For 3,519 reviews, this publication has graded:
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81% higher than the average critic
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1% same as the average critic
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18% lower than the average critic
On average, this publication grades 5 points higher than other critics.
(0-100 point scale)
Average Music review score: 78
Highest review score: | The Idler Wheel Is Wiser than the Driver of the Screw and Whipping Cords Will Serve You More than Ropes Will Ever Do | |
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Lowest review score: | Playing With Fire |
Score distribution:
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Positive: 3,085 out of 3519
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Mixed: 407 out of 3519
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Negative: 27 out of 3519
3519
music
reviews
- By Date
- By Critic Score
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- Critic Score
This 10-song collection is dominated less by taut rhythm guitar than by synths, handclaps, and kickdrums. ... A band that never gets sick of adding tools to its bag of tricks.- Entertainment Weekly
- Posted Mar 16, 2017
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It’s the political songs, however, that give the album cohesion and purpose, not to mention an outlook that’s admirably unafraid to express contempt.- Entertainment Weekly
- Posted Mar 16, 2017
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- Critic Score
True to the band’s spirit, but willing to push beyond aesthetically, Heartworms is a rewarding and singular addition to the Shins’ catalog.- Entertainment Weekly
- Posted Mar 10, 2017
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If the familiarity of the album bodes well for its commercial success, key elements of Sheeran’s schtick don’t add up creatively. Despite the wrinkles of wit and flashes of detail in his writing, he’s horribly sentimental, idealizing love into anonymity in a song actually called “Perfect,” as well as one titled “How Would You Feel (Paean).”- Entertainment Weekly
- Posted Mar 6, 2017
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Although the rest of The Breaker may not be blessed with the T-Swizzle magic, there are some more strong contenders for your next breakup playlist.- Entertainment Weekly
- Posted Feb 24, 2017
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He’s applied some of his musical tourism to Dirty Projectors to convey a batch of hyper-specific lyrics through an often-thrilling blend of electronica, prog-rock, Afro-beat, R&B, and pop.- Entertainment Weekly
- Posted Feb 24, 2017
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Windy City does more than just remind listeners of her prowess, it enforces her legacy as one of American music’s standout talents.- Entertainment Weekly
- Posted Feb 22, 2017
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Prisoner doesn’t differ enough from its recent predecessors to stand out as a singular mid-career achievement for the ever-prolific songwriter, but it’s one of Adams’ most fully-realized, sturdy collections to date, and quite possibly his finest record of the past decade.- Entertainment Weekly
- Posted Feb 15, 2017
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Yielding vibrant optimism where Lekman had typically sulked with a smile. Life is the perfect pick-me-up for the winter of our discontent.- Entertainment Weekly
- Posted Feb 13, 2017
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It’s a supremely listenable album, loaded with comfort-food hip-hop fit for booming club sound systems and earbuds on the subway alike. It’s also Sean’s most cohesive, personal work to date.- Entertainment Weekly
- Posted Feb 8, 2017
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Over Process‘ 10 songs, Sampha executes a sonically adventurous vision that’s entirely his own and builds on his enormous potential.- Entertainment Weekly
- Posted Feb 3, 2017
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She sometimes coasts on a singsong, nearly spoken flow that squanders the expressivity of her understated but resonant pipes. Yet haunting highlights like “Piece of Mind” and “Everything Is Yours” prove that beneath SSS’s padding, there’s a succinct, sassy, and sincere album waiting to be slimmed down to Kehlani’s own soul-searching essence.- Entertainment Weekly
- Posted Jan 26, 2017
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Noisy but built on articulate songwriting, Near radiates a sincerity often missing from bands this brash. At a time of doubt and fear, it’s screamingly optimistic.- Entertainment Weekly
- Posted Jan 24, 2017
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The payoff is the boldest work yet from a band famous for subtlety--the sound of the xx hitting the caps-lock key.- Entertainment Weekly
- Posted Jan 12, 2017
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Thankfully, the group ultimately finds its groove with retro, funk-heavy tracks like new single “Body Moves” and “Blown,” which is about exactly what you imagine it is. It’s better for the band—and everyone else--when they don’t overthink it.- Entertainment Weekly
- Posted Dec 2, 2016
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The more faithful covers might feel redundant if you still have the original cast recording on repeat, while those drawn to the pop covers can probably skip past Miranda’s original demos. Still, by providing another eye-opening entry point to his groundbreaking work, the mixtape might be what takes you from being a casual fan to a hardcore Hamophile.- Entertainment Weekly
- Posted Dec 2, 2016
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As always, his perfectly raspy croon is the connective tissue, but it’s an awkward match on pop plays like the uplifting-anthem-by-numbers “Love Me Now” and the synth-heavy “What You Do to Me,” co-written with hitmakers Justin Tranter and Julia Michaels. Those tracks aside, Legend is mostly in his soulful comfort zone.- Entertainment Weekly
- Posted Dec 1, 2016
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While musicians writing about coping with newfound celebrity is one of pop’s oldest tropes, the Weeknd avoids the usual clichés with observations and anecdotes that feel specific and genuine.- Entertainment Weekly
- Posted Nov 29, 2016
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There’s something pleasingly organic, though, in Weight’s cohesiveness; it asks for patience and rewards it, weaving true tales of regret and resilience into one fiercely honest, gloriously flawed whole. Bless this mess.- Entertainment Weekly
- Posted Nov 18, 2016
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With only nine songs, there’s not an ounce of fat on Magic, and nearly every track sounds like Top 40 gold.- Entertainment Weekly
- Posted Nov 18, 2016
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Luckily, We Got It From Here... Thank You 4 Your Service not only satisfies its lofty expectations, it often exceeds them.- Entertainment Weekly
- Posted Nov 14, 2016
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It proves that years of passion projects haven’t dulled his songwriting instincts.- Entertainment Weekly
- Posted Nov 11, 2016
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The combination of her subject matter and her urgent delivery makes Here her most vital release in years--and a welcome addition to 2016’s rich canon of albums from Beyoncé, Solange, Frank Ocean, Common, and Dev Hynes that address black life in America.- Entertainment Weekly
- Posted Nov 7, 2016
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It’s the MC’s empathetic and clear-eyed rhymes that truly make this a vital contribution to the national conversation.- Entertainment Weekly
- Posted Nov 4, 2016
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His attempts at digging deeper make the lighter material feel earned--and they elevate his work above much of country’s escapist fare.- Entertainment Weekly
- Posted Oct 28, 2016
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Lo sounds as if she’s in the throes of a quarter-life crisis. And what a beautiful and messy one it is.- Entertainment Weekly
- Posted Oct 28, 2016
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Joanne is a curious bauble, demonstrating that although Gaga’s power to shock has waned, her artistry continues to evolve in exceptional ways.- Entertainment Weekly
- Posted Oct 24, 2016
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JoJo’s collection of soulful slow jams and dark, contemporary R&B head-bobbers is uneven. The latter category has more misses (the generic “Vibe.”) than hits (the flawless first single, “F— Apologies.”), but the stirring piano ballads that bookend the standard edition more than make up for that.- Entertainment Weekly
- Posted Oct 19, 2016
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For good and bad--mostly very good--Ruminations is a vulnerable Conor Oberst cracked open, spilling his soul. Pain is its recurring theme and though Oberst comes close to wallowing in it, the gift is his ability to embrace and absorb it and make it something beautiful.- Entertainment Weekly
- Posted Oct 18, 2016
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On his 14th studio album, the songwriting maestro--still vital at 82--is a lion in winter, his lyrics heavy with God and sex and death and his legendary voice scraped down to a subterranean rumble.- Entertainment Weekly
- Posted Oct 14, 2016
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