Nobody is allowed to dominate the sound of the album, which is haunting and imperial at the same time. [May 2023, p.76]

72 Seasons isn't an easy listen; it demands work. ... Metallica's only concern is making the best Metallica album possible irrespective of what's going on around them. On that score, 72 Seasons is a ringing success. [May 2023, p.76]

Lavish production disguises thin songwriting on a few tracks, but overall this voluptuous sonic feast feels like a fitting epitaph to departed friends. [Jun 2023, p.72]

By making music that reflects on their lives both personally and also as part of a wider, global community, they're managing that high-wire balancing act without the use of a safety net. [Apr 2023, p.78]

This is the maturing of cute metal, and it's still nuts. [Apr 2023, p.76]

It makes sense with the book on your lap, but otherwise, the album may not convince. The acoustics are peculiar on tracks like Pride and the vocal mic seems compressed, rather than expansive. Something to do with surrender, perhaps. What remains of it, when you give yourself away. [May 2023, p.80]

There's much to love here, with the jangle-crunch of Buckle Under Pressure and prefer To Lose proving he has the ideas as well as the gear. [Apr 2023, p.75]

You've got another classic BJM album. [Apr 2023, p.79]

Their best album yet. [Apr 2023, p.78]

A spectacular squall of uber-MBV sungaze dream-pop propels indigenous Swinowish/Inupiaq woman Katherine Paul's jouney. [Apr 2023, p.79]

A rewarding journey that delights in a celebration of friendship, inclusivity and 'this crazy dream of our utopia'. [Apr 2023, p.79]

For Raincoats fans this is the most similar to their underrated third album Moving, for its fluent, danceable, off-kilter rhythms. For everyone else it's a marvel waiting to be discovered. [Apr 2023, p.76]

His love for the music shines throughout. [Apr 2023, p.75]

None of the 17 songs waste any time getting where they're ultimately going. ... Seriously, it's time to believe. [Apr 2023, p.74]

A proper ripper. [Mar 2023, p.76]

They've mastered the marriage of swagger and sensitivity, guts and grace. [Mar 2023, p.76]

The single Mixed Emotions (I Didn't Know How To Tell You What I Was Going Through) is the album's manifesto, the chiming opening riff breaking into a wall of sound while singer Josh Franceschi howls his failure to communicate into the gale. And the onslaught rarely falters. [Mar 2023, p.78]

Paramore have successfully remoulded the cornerstones of their music not only for the new times we find ourselves in, but also for a personal evolution, and maturity evident across This Is Why. [Mar 2023, p.76]

Gloriously raucous, with memorable tunes that bury themselves deep in the psyche, Bass Drum Of Death encapsulate the spirit of garage rock'n'roll. [Mar 2023, p.79]

Uplifting and lovely. [Mar 2023, p.78]

Yo La Tengo have only intensified rather than showed signs of abating. [Mar 2023, p.77]

10 short, snappy songs, with as much melodic finesse as there is coruscating noise. [Mar 2023, p.77]

Michael Brauer’s interpretation – same songs, different mix – alters the texture of familiar songs like Love Sick, the spectral Cold Irons Bound and Make You Feel My Love, now something of a standard thanks to Adele, Michael Bublé and, er, Nick Knowles. ... The live pieces are more informative, with songs performed between 1998 and 2001.

Visconti spent weeks polishing Live And Dangerous into a masterpiece. This box set suggests that all we ever needed was around 80 minutes, including encores. Seven additional, yet equally dazzling, versions prove that and give us Thin Lizzy in their prime: live, raw and dangerous. [Feb 2023, p.84]

Ryder is at his best when riffing through the 70s piano-pop playbook. [Feb 2023, p.78]

Every Loser captures an Iggy Pop never more ready to be himself and never better equipped to deliver a stone-cold classic. [Feb 2023, p.78]

Rundgren is possibly the only musician for whom a lack of any thematic coherency across a record doesn’t result in total disaster. It works - don’t ask me how.

Even in the late autumn of his career, Neil Young can still turn in something as vital and musically catholic as Worl Record. [Jan 2023, p.78]