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There are no user reviews yet - Be first to review The Last Laugh.
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Forays into medieval trip-hop ("The Last Laugh") and reggae-influenced indie pop ("Jelly Bean") stretch the boundaries of the album's bedrock, but it's fun to see folk music take such unexpected turns, especially when the destination sounds this enchanting.
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Populating that lyrical forest are knights, goblins, talking animals and ticking (shades of Peter Pan crocodiles), Costas spinning her offbeat tales like a young Suzanne Vega setting Brothers Grimm fables to music. It's all melodically accessible.
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The result is a sparkling debut for her and one of his most interesting collaborations.